Improving Literacy is in the Bag
Promotes the concept of Storysacks, a technique developed in England, and how First Nations in Canada have adapted it.
Entire issue on one pdf. To access article scroll to p.22.
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
In the Balance: Indigeneity, Performance, Globalization
Indian Photographs: Amelia Frost and the Presbyterian Mission
The Indian's White Man
Indian Voices: The Politics of Cultural Representation in Three U.S. Museums
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
The Indigenous Arts Archive: Indigenizing the Spencer Museum of Art’s Database
Indigenous Arts & Stories
Indigenous Collections Symposium: Promising Practices, Challenging Issues, Changing the System
Indigenous Comics and Graphic Novels: An Annotated Bibliography
Indigenous Comics Studies Bibliography: Scholarly Journal Articles & Books
Brief list.
Indigenous Filmmaking at the NFB: An Overview
Indigenous History: A Bibliography
Indigenous Intangible Cultural Heritage: Towards an Indigenous Approach to Canadian Heritage Management and Planning
Indigenous Knowledge and Prospects for Income and Employment Generation: The Case of Handicraft Production among Rural Women in Tanzania
Indigenous Memory and Imagination: Thinking Beyond the Nation
Indigenous New Media Arts: Narrative Threads and Future Imaginaries
Indigenous Protocols for the Visual Arts: A Practical Guide for Navigating the Complex World of Indigenous Protocols for Cultural Expressions in the Visual Arts Sector
Information for Indigenous peoples and artists, as well as non-Indigenous audiences wanting to engage with communities.
Indigenous Repatriation Handbook
Indigenous Storytelling: Contesting, Interrupting, and Intervening in the Nation-Building Project Through Historica Canada’s Heritage Minutes
Indigenous Women and Street Gangs: Survivance Narratives
Injichaag: My Soul in Story
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
Interesting and Pathetic Relics: The Franklin Expedition and British Museums
History Thesis (MA) -- Middle Tennessee State University, 2021.
Interpreting Shoshone Cosmology: Rock Art Symbolism, Metaphor and Meaning
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.
Interpretive Guide & Hands-on Activities: Nitssaakita’paispinnaan: We Are Still in Control
Intertribal Dance and Cross Cultural Communication: Traditional Powwows in Ohio
An Interview with Susan Point
An Intricate Web(b): American Influences on Professional Craft in Canada 1964-1974
Inuit (Eskimo) Games
Inuit Participation in the Wage and Land-based Economies of Inuit Nunangat
Ironic Confrontation as a Mode of Resistance: The Homeland Security T- Shirt at the Dakota Access Pipeline Protests
Juno Win for Chester Knight And The Wind
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Lakota Performers in Europe: Their Culture and the Artifacts They Left Behind
Lifeweaving: Towards a Metaphysics of Cultural Identity
Lighting Fires: Re-Searching Sexualized Violence with Indigenous Girls in Northern Canada
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Living in a (Schrödinger’s) Box: Jimmie Durham’s Strategic Use of Ambiguity
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
A Longitudinal Study of Aboriginal Images in Annual Reports: Evidence from an Arts Council
Analysis of imagery, textual narrative and para-text found in reports produced by the Australian Arts Council over 43 years (1973-2015).