"A Celebration of Native Women Playwrights", Conference at Miami University, Oxford, Ohio, March 20, 1999
Articles » Scholarly, peer reviewed
Author/Creator
Mimi Gisolfi D'Aponte
Journal of Dramatic Theory and Criticism, vol. 14, no. 1, Fall, 1999, pp. 99-108
Description
Keynote address by the editor of the anthology Seventh Generation: An Anthology of Native American Plays comments on the special place occupied by these playwrights.
Canadian Theatre Review, vol. 152, Fall, 2012, pp. 5-12
Description
Erika A. Iserhoff, who has been involved in productions such as The Only Good Indian, Omushkego Water Stories Project, and Chocolate Woman Dreams the Milky Way discusses her artistic practice.
Traces the history of a one-hundred-year-old caribou skin men's dancing garment (kapitaq) from the moment the caribou was killed, through construction of the garment by an Inuinnait woman, its acquisition by the museum, loan to Juliette Gaultier de la Verendrye for use in her stage performances, and finally back to the museum's cold storage.
History research essay towards a Master of Arts.
Looks at four novels: Tsali by Denton R. Bedford, Fools Crow by James Welch, Tracks by Louise Erdrich and Mean Spirit by Linda Hogan.
English Thesis (Ph.D.)--The Ohio State University, 1998.
Looks at the New Interpretations Project involving Native artists who used their traditional perspectives in the creation of works about the Grand Canyon.
Painted Wood: History and Conservation. Part Five: Ethical Considerations
E-Books » Chapters
Author/Creator
Andrew Todd
Description
Discusses issues surrounding conservation, preservation, and restoration of totem poles from the Pacific Northwest.
Chapter from: Painted Wood: History and Conservation edited by Valerie Dorge and F. Carey Howlett.
Saskatchewan History, vol. 51, no. 1, Spring, 1999, pp. 8-
Description
A short article by the editor accompanying and commenting selected photographs that can be found throughout the issue.
Entire issue on one .pdf, scroll to page 8.