Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
Expanding Interpretations of Native American Women's History
An Exploration of Crime Prevention Among Indigenous Youth Who Utilize the Services of the Saskatoon Youth Arts Programming (SCYAP)
Exploring Autism and Music Interventions through a First Nations Lens
Exploring International Repatriation between U.S. Museums and First Nations in Canada
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Festival of the Dreaming - Art, Music and Dance
First Nation's Historical Centre for Tourism and Education
Discusses the First Nation owned and operated Chief Poundmaker Historical Centre and Tee-Pee Village which is open to welcome history buffs, campers, and community groups.
Entire issue on one pdf. To view article scroll to p. 18 of the special insert Windspeaker's Guide to Indian Country.
First Nations Effective Practices: Getting Things Done in Aboriginal Communities, Businesses and Organizations
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Nations People Mining the Museum: A Case Study of Change at the Glenbow Museum
Follow the Drum
Highlights Gerald Okanee, lead singer of Saskatchewan's Big Bear Singers, who shares his knowledge about the drum and how the beat pits the powwow dancer's style against that of the the drummer's, sometimes "bucking off" the dancer.
Entire issue on one pdf. To access article scroll to p.19.
Four More Indigenous Projects for the Native American Humanities
Four Thousand Years of Native American Cave Art in the Southern Appalachians
Framing the Past
Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest
Frank Shebageget: Quantification
"Free Your Mind," from the Series Crazymaking (2007)
From Appropriation to Subversion: Aboriginal Culture Production in the Age of Postmodernism
from Swift Cinder
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Generating and Sustaining Positive Spaces: Reflections on an Indigenous Youth Urban Arts Program
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Girl Who Loved Her Horses: A One-Act Play for Young Audiences
Glass Trade Beads From Reese Bay, Unalaska Island: Spatial and Temporal Patterns
Glimpsing Our Past: An Archival Photo Project
The Good Red Road: Journeys of Homecoming in Native Women's Writing
The Great Shimmering
Guidelines for German Museums: Car of Collections from Colonial Contexts
Hannah Claus
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
He Whare Hangarau Māori: Language, Culture & Technology
Health in the Inner City: A Photo Essay
The Heart of Lightness: Hollywood's Wild West Show Revisited
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Highlights Report: RAIC International Indigenous Architecture and Design Symposium
Historic Choctaw Archaeology: Social Inequality in Post-Removal Southeastern Oklahoma
The Historic Sites and Monuments Board of Canada’s Representation of Indigenous History from 1945 to 1982
History Thesis (MA) -- University of Ottawa, 2017.