The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
The Beaver in Art
Being and Belonging: The State of the Field
Being Métis in Canada: An Unsettled Identity
Being There: Stage Presence and The Unnatural and Accidental Women
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
[Bennie Klain]
Bernice Sayese
Chronicles the life and works of the first Aboriginal woman to receive the Prince Albert Citizen of the Year Award.
Entire issue on one pdf. To access article scroll to p.26.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Beyond Limits: Cultural Identity in Contemporary Canadian Fiction
Big Nose and his Painted Elk Skin
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
Blackfoot Crossing Historical Park and Siksika Nation
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Book Reviews
BookCorner
The Booth Sitters of Santa Fe's Indian Market: Making and Maintaining Authenticity
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
The Boy in the Treehouse
Boyer's True Legacy Lies Within the Future Artists He Inspired
Brief commentary on artist Bob Boyer, known for making political statements about the way Aboriginal people have been treated throughout the years.
Entire issue on one pdf. To access article scroll to p.38.
Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Broadway (Un)Bound: Lynn Rigg's The Cherokee Night
Buffalo Boy at Burning Man: Camp, Mourning and the Forgiving of History in the Work of Adrian Stimson
Buffy Saint-Marie: An Unsung Hero for Far Too Long
Building a Legacy on a Foundation of Success
Bundjalung Dreaming Meets European History
Burning Vision
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Can Museums Promote Community Healing?: A Healing Museum Model for Indigenous Communities
Canada's Cultural Property Export and Import Act: The Experience of Protecting Cultural Property
Captured Heritage: The Scramble for Northwest Coast Artifacts
Celebrating Indigenous Languages
A Celebration of the Arts in Saskatoon - 1995.
Changing Tide Creations: Northwest Coast Indian Art Gallery
A Chapter Closed?
Cherokee Gospel Songs and Language Revitalization
Cheyenne, Comanche, Kiowa
Chilkat Tunics: Toward a Reassessment of the Configurative
Chronology of Daphne Odjig's Life
Chukchi Traditional Clothing as Historical Source of Cultural Transformation
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circle of Voices Reveals the Healing Power of Kihew
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.