The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Face to Face: Two Exhibitions at the Winnipeg Art Gallery
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Fielding Culture: Dialogues Between Art History and Anthropology
First Nations COVID-19 Performing Arts Wellbeing Survey: Summary of Findings
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
Fivecentsiapik: The Little Five Cents
Four More Indigenous Projects for the Native American Humanities
Fourteen Families in Pueblo Pottery
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
from Swift Cinder
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
From the Centre: The Drawings of Luke Anguhadluq
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Generating and Sustaining Positive Spaces: Reflections on an Indigenous Youth Urban Arts Program
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Green Lake Trail, 1994
Green Lake Trail, 1994
Green Lake Trail, 1994
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Guidelines for German Museums: Car of Collections from Colonial Contexts
Hands of History
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
He Whare Hangarau Māori: Language, Culture & Technology
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Highlights Report: RAIC International Indigenous Architecture and Design Symposium
The Historic Sites and Monuments Board of Canada’s Representation of Indigenous History from 1945 to 1982
History Thesis (MA) -- University of Ottawa, 2017.
The Historic Sites and Monuments Board of Canada's Representation of Indigenous History from 1945 to 1982
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
The Hopi Craftsman Exhibition: The Creation of Authenticity
How Can Urban Parks Support Urban Indigenous Peoples? Exploratory Cases from Saskatoon and Portland
How Native American Rappers Communicate and Create a Modern Identity
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
"I'm an Indian Too:" A Contemporary Indigenous Reclamation of Racist Musical Tropes
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
Iihksiisiinatsiistostiimao Nipaitapiitsiin
Contemporary Arts Project (MA) -- Simon Fraser University, 2019.