BC Studies, no. 190, Histories of Settler Colonialism, Summer, 2016, pp. 142-144
Description
Book reviews of:
The Land We Are edited by Gabrielle L'Hirondelle Hill and Sophie McCall.
The Poetics of Land and Identity Among British Columbia Indigenous Peoples by Christine Elsey.
Entire book review section on one pdf. To access this review scroll to p. 142.
Transmotion, vol. 2, no. 1 - 2, November 28, 2016, pp. 124-130
Description
A playful creative non-fiction piece that uses humour as a means to articulate the roles that Indigenous writers can and do play in contemporary culture, in resistance and resurgence.
Inuit Art Quarterly, vol. 29, no. 2, Climate, Summer, 2016, pp. 18-27
Description
Essay, presented in both English and Inuktitut, looks at the life of a drum, from its formation to its sound.
Entire issue on one pdf. To access article, scroll to page 18.
Inuit Art Quarterly, vol. 29, no. 1, Climate, Spring, 2016, pp. [20]-27
Description
Comments on the few works by Inuit artists included in the over 550 ArtCOP21 events worldwide.
Entire issue on one pdf. To access article, scroll to page 20.
Inuit Art Quarterly, vol. 8, no. 2, Summer, 1993, pp. 43-44
Description
Comments on the mace used in the Parliament of Canada and the mace used in the Northwest Territories Legislature.
Entire issue on one pdf. To access article, scroll to page 43.
International Conference on the Cultural & Intellectual Property Rights of Indigenous Peoples ; 1st, 1993
Documents & Presentations
Author/Creator
First International Conference on the Cultural and Intellectual Property Rights of Indigenous Peoples
Description
Conference held to discuss significant issues including Indigenous knowledge, biodiversity, biotechnology, environmental management, arts, music, language, and spiritual and cultural issues.
English Thesis (M.A.)--East Carolina University, 2016
Refers to Louise Erdrich's novel The Round House, Christine Welsh's documentary Finding Dawn, and Qwo-Li Driskall's poetry collection Walking with Ghosts.
Inuit Art Quarterly, vol. 8, no. 4, Winter, 1993, pp. 43-47
Description
Review of three sculptures, exhibited at the Winnipeg Art Gallery April 17-July 25, 1993, that illustrate shamanic transformation.
Entire issue on one pdf. To access article, scroll to page 43.
Journal of American Folklore, vol. 129, no. 512, Spring 2016, pp. 240-243
Description
Review of an exhibit, featuring more than 50 historical images of Native Americans and about a dozen contemporary photographs, curated by Daniel Kosharek, Diane Bird, and Andrew Smith, mounted at New Mexico History Museum, May 18-November 4, 2012.
Saskatchewan Indian, vol. 22, no. 4, April 1993, p. 13
Description
Highlights an exhibit of works by artist Brian Seesequasis (1958-) of the Beardy's and Okemasis First Nation held at the Regional Interpretive Centre in Duck Lake, Saskatchewan.
Focuses on Native Earth Performing Arts company and the value of theatre to the community. Most information collected through conducting approximately 100 interviews with artists and audience members.
Canadian Journal of Communication, vol. 18, no. 3, [Crossing Borders: Issues in Native Communications], Summer, 1993, pp. [365-385]
Description
Reviews museums' traditional approach to native culture and contends that the division between "white" and aboriginal history is artificial and reinforces the idea that European culture being superior to that of indigenous peoples.
Political Economy of Communication, vol. 4, no. 1, 2016, pp. 102-125
Description
Focuses on a Toronto-based arts organization which, every summer, produces murals centred on Aboriginal teachings and stories and connected with communities and the local environment.
Transmotion, vol. 2, no. 1-2, November 28, 2016, pp. 5-11
Description
Critical review of a 2014 run of the play Bloody Bloody Andrew Jackson in Minneapolis, Minnesota. Details the ways in which the play promotes racialized language and slurs, misinformation about, and the mistreatment of Indigenous people.
A photograph of the Parade leader for the 1993 North American Indigenous Games held in Prince Albert, Saskatchewan. The leader is a man in traditional Plains garb on horseback, taken in Prime Minister's Park.