Royal Commission on Aboriginal Peoples: Presentation by Joe Karetak, Inuit Tapirisat of Canada
Royal Commission on Aboriginal Peoples: Presentation by Kris Ramchander and Harold Rampersad, Community and Race Relations Committee of the City of Winnipeg
Royal Commission on Aboriginal Peoples: Presentation by Marie Mumford, Sandra Laronde and Elaine Bomberry, Association of Native Development in the Performing and Visual Arts, Toronto, Ontario
Royal Commission on Aboriginal Peoples: Presentation by Marlene Dolan, Tom Horvath, Wayne Stanley and Joan Cardinal-Shuber, Calgary Aboriginal Awareness Society
Royal Commission on Aboriginal Peoples: Presentation by Mary Carpenter
Presenter from Inuvialuit claims to be at the sitting to "represent the voice of the Inuit who have been silenced by our Inuit leaders." Carpenter gives her view of the High Arctic Relocation program, and makes allegations that members of the Inuit community threatened to have her murdered if she spoke out about any issues to the Commission.
Royal Commission on Aboriginal Peoples: Presentation by Ron Abreira, Director, Kahnawake Economic Development Group
Royal Commission on Aboriginal Peoples: Presentation by Sanford Cottrelle, Wes Wetung
Royal Commission on Aboriginal Peoples: Presentation by Sheena Jackson
Royal Commission on Aboriginal Peoples: Presentation for the Association of Canadian Publishers and Theytus Books by Karl Siegler and Greg Young-Ing
Royal Commission on Aboriginal Peoples: Presentation on behalf of First Nations Tourism Association of British Columbia, Barry Parker
Royal Commission on Aboriginal Peoples: Presentation on behalf of the Native Journalists Association, Linda Powless, Dan Smoke
Royal Commission on Aboriginal Peoples: Presentation on Behalf of the Native News Network, Miles Morrisseau
Presenter discusses bias towards Aboriginal people in the mainstream Canadian media, the role of Aboriginal media in achieving self-determination, its role in healing Aboriginal communities, and his personal experiences as an Aboriginal journalist. Following the presentation Commissioners Chartrand and Erasmus discuss some of the issues raised.
Royal Commission on Aboriginal Peoples: Slide Presentation by Ruby Arngna'naaq
Royal Commission on Aboriginal Peoples: Workshop Report for the Inuit Tapirisat of Canada by Debbie Klengenberg
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
The Rumour of Humanity: An Interview with Daniel David Moses
Sac and Fox Pow-Wow, Stroud, Oklahoma: Intertribal
A Sacred Object as Text: Reclaiming the Sacred Pole of the Omaha Tribe
Saskatchewan History - The First Peoples: Plains First Nations
Saying Good-Bye to Tonto: The Changing Representation of Natives in Canadian Drama
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Sewing and Silence, Sewing and Struggle: Socializing Women's Work in Igloolik, N.W.T.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Shaping the Clay: Pueblo Pottery, Cultural Sponsorship and Regional Identity in New Mexico
Shields and Lodges, Warriors and Chiefs: Kiowa Drawings as Historical Records
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.
Staging the "Native": Making History in American Theatre Culture, 1828-1838
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Storytelling in Play: Upisaski Theatre Revisited
Stranger than Fiction: The Creation of Two Short Theatre of the Real Plays about Closed Stranger Adoption in Aotearoa
Stress, Emotions, and Motivational States Among Traditional Dancers in New Zealand and Japan
Strong Hearts, Wounded Souls Revisited: The Research, the Findings, and Some Observations of Recent Native Veteran Readjustment
A Study of Cross-Cultural Aesthetic Receptivity: Art by Nicola Wojewoda and Inuit Artists' Responses To It
Subject to the Tourist Gaze: A Response to "Weesageechak Begins to Dance"
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Sweet Grass Visions: The Combination of Trickster and Theatre for the Transmission of Culture
Taylor to Direct Native Theatre Company
Announcement of Drew Hayden Taylor as the new Artistic Director of Native Earth Performing Arts Company.
Entire issue on one pdf. To access article scroll to p. 8.