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The Public Relations Wrap: What We Can Learn from The Spirit Sings
Pudlo: Thirty Years
Pueblo Pottery and the Politics of Regional Identity
Qaujimanira: Inuit Art as Autoethnography
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
"Re-Creation Stories": Re-Presencing, Re-Embodiment, and Repatriation Practices in Leanne Betasamosake Simpson's "How to Steal a Canoe"
Reassessing Traditional Inuit Poetry
Discussion on Inuit poetry; and the difference between the contemporary Canadian poetic tradition and that of the traditional Inuit.
Reconciliation: Facilitating Ethical Space between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus
Red Readings: Decolonization through Native-centric Responses to Non-native Literature and Film
The Red Wall-paper: Reservation Policy, The Dawes Act, and Gilman's Literature of Argument
The REDress Project: Casting an Indigenous Feminist Worldview on Sexual Violence Prevention and Education Programs in Ontario’s Universities (Dispatch)
Regional Diversity in Contemporary Inuit Sculpture
Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy
Remembering Our Indian School Days: The Boarding School Experience: A Landmark Exhibit at the Heard Museum
Examines the 2000 exhibit at the Heard Museum in Phoenix, Arizona.
Repatriation at the Field Museum
Repatriation: Empowerment Through (Re)Connection
Repatriation in Two Acts: The Museum of Vancouver
The Repatriation of Ahayu:da Zuni War Gods
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Repository Sources of Northwest Coast Indian Photographs
Representations of Missing and Murdered Indigenous Women in Canadian Art
Residential School Gothic and Red Power: Genre Friction in Rhymes for Young Ghouls
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36
Review Articles: No Writing at All Here: Review Notes on Writing Native
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Revitalization Strategies in Gaspar Pedro González’s A Mayan Life
Robert Houle: Life & Work
School Days for Me and the Museum: Commentary on Remembering Our Indian School Days, a Landmark Exhibit at the Heard Museum
A personal reflection by one of the curators in charge of bringing a boarding school exhibit together.
Seeing with a Native Eye: A Hopi Film on Hopi
Shared Inuit Culture: European Museums and Arctic Communities
Speaking for Themselves: Eight Inuit Artists Compare Notes During a Seminar Organized by the Inuit Art Foundation
Speaking Our Truth: A Journey of Reconciliation: Teachers' Resource Guide
For use with the book by Monique Gray Smith. Includes summary, essential questions, key concepts, vocabulary and learning activities for each chapter of book. Recommended for ages 9-13.
Special Problems in Teaching Leslie Marmon Silko's Ceremony
Spotted Cattle and Deer: Spirit Guides and Symbols of Endurance and Healing in Ceremony
Star House Pole from Old Massett, Haida Gwaii, Canada
Starting from Now, Learning to See: Introducing Pre-service Teachers to the Process of Indigenous Education through a Phenomenological Art Inquiry
Education Thesis (Ph.D.) -- Simon Fraser University, 2018.
Stories of Oka: Land, Film, and Literature
Structural Patterning in Kwakiutl Art and Ritual
Surviving as a Native Woman Artist
Swimming in the Mainstream: Australian Aboriginal and Canadian Indian Drama
Sydney as an Indigenous Place: "Goanna Walking" Brings People Together
Taitsumanialuk, les collections de l’Arctique canadien et du Groenland dans les musées français au XIXe siècle
Telling Our Stories: A One Act Play
That Also Is You: Some Classics of Native Canadian Literature
“This Story Needs a Witness”: The Imbrication of Witnessing, Storytelling, and Resilience in Lee Maracle’s Celia’s Song
The Time of Things: The Continuum of Indigenous Customary Practice into Contemporary Art
Catalogue for exhibition of the same name which featured works by Daphne Boyer, Maureen Gruben, Susan Pavel, Skeena Reece, and Marika Echachis Swan.