Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Articles » Scholarly, peer reviewed
Author/Creator
Sarah Anne Stolte
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 77-92
Description
Uses the work of the self-proclaimed Osage artist to discuss the way that American culture's definition of "Indianness" allowed her to achieve success but created barriers for other Indigenous female artists.