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The Aboriginal Right to Cultural Property
Aboriginal Voices: Amerindian, Inuit and Sami Theater
Acquiring and Exhibiting a Nuu-Chah-Nulth Ceremonial Curtain
Adult Inuk guide. - Portrait.
Adult Inuk guide. - Portrait.
Adult Inuk Male Filleting Arctic Trout.
Adult Inuk Male Skinning Seal.
Adult Inuk Male Skinning Seal.
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Analysis of Textile Impressions from Pottery of the Selkirk Composite
The Anthropology Museum in the Post-Colonial Era: A Case Study on How Indigenous, First Nations Communities are Represented at the UBC Museum of Anthropology in Vancouver
Appropriation of Aboriginal Oral Traditions
Arctic Dreams & Nightmares
Art and Identity: Secondary Students Discovering a “Sense of Self” Through Creating Artworks and Webpages
An Art of Saying: Joy Harjo's Poetry and the Survival of Storytelling
The Artist Knows Best: The De-Professionalism of a Profession
Artists' Intent: Material Culture Studies and Conservation
Artists with Their Work - Ruth Cuthand. - Program. - 1990.
Historical note:
Ruth Cuthand was born in Prince Albert, SK in 1954 and grew up near the Blood Reserve in Alberta. Her heritage is Plains Cree and Scots/Irish. Her Aboriginal culture and memories of her childhood experiences are often the inspiration for her art-making practice.Arviat Stone Sculpture: Born of the Struggle with an Uncompromising Medium.
"As long as we dance, we shall know who we are": A Study of Off-Reservation Traditional Intertribal Powwows in Central Ohio
The Ashoona Family of Cape Dorset
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
The Beaver in Art
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
"The Blood Speaks"--Maya Ritual Sacrifice
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Book Reviews
Book Reviews
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Canada's Cultural Property Export and Import Act: The Experience of Protecting Cultural Property
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
Captured Heritage: The Scramble for Northwest Coast Artifacts
The Care and Conservation of Art
Carved From the Land: The Eskimo Museum Collection
A Celebration of the Arts in Saskatoon - 1995.
A Chapter Closed?
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.