Beyond Limits: Cultural Identity in Contemporary Canadian Fiction
Big Nose and his Painted Elk Skin
Black Consciousness on Stage and Screen: The Presentation of Aboriginal Issues in Drama by Black and by White Writers
Blackfoot Crossing Historical Park and Siksika Nation
Book Reviews
BookCorner
The Booth Sitters of Santa Fe's Indian Market: Making and Maintaining Authenticity
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
The Boy in the Treehouse
Boyer's True Legacy Lies Within the Future Artists He Inspired
Brief commentary on artist Bob Boyer, known for making political statements about the way Aboriginal people have been treated throughout the years.
Entire issue on one pdf. To access article scroll to p.38.
Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Broadway (Un)Bound: Lynn Rigg's The Cherokee Night
Buffalo Boy at Burning Man: Camp, Mourning and the Forgiving of History in the Work of Adrian Stimson
Buffy Saint-Marie: An Unsung Hero for Far Too Long
Building a Legacy on a Foundation of Success
Bundjalung Dreaming Meets European History
Burning Vision
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Can Museums Promote Community Healing?: A Healing Museum Model for Indigenous Communities
The Canadian Indian
Celebrating Indigenous Languages
Changing Tide Creations: Northwest Coast Indian Art Gallery
A Chapter Closed?
Cherokee Gospel Songs and Language Revitalization
Cheyenne, Comanche, Kiowa
Chilkat Tunics: Toward a Reassessment of the Configurative
Chronology of Daphne Odjig's Life
Chukchi Traditional Clothing as Historical Source of Cultural Transformation
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circle of Voices Reveals the Healing Power of Kihew
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clearing a Path Acts as Bridge in Saskatchewan
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Co-Publishing in the Visual Arts: The Production of Rebecca Belmore: Fountain for the 2005 Venice Biennale.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Colonialism on Display: Indigenous People and Artefacts at an Australian Agricultural Show
Coming to You From the Indigenous Future: Native Women, Speculative Film Shorts, and the Art of the Possible
Comment on Ingela Bergman: Indigenous Time, Colonial History: Sami Conceptions of Time and Ancestry and the Role of Relics in Cultural Reproduction
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Commission, the Community, and the Cree Woman in the Attic: Georgina Lightning's Older Than America in Canada's Culture of Redress
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Complicating Spiritual Appropriation: North American Indian Agency in Western Alternative Spiritual Practice
The Concept of Duality in Culture and Myths of Lakota Indians
Congress Examines Role of Arts Within Aboriginal Community
Overview of Gordon Tootoosis and Maria Campbell's speeches at the 2007 Congress of the Humanities and Social Sciences. The two speakers talked about the importance of theatre in Aboriginal culture and the hurdles they faced in their careers.
Entire issue on one pdf. To access article scroll to p.25.