The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Shamanism in Mesoamerican Art: a Reassessment
The Roots of Cree Drama
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Salish Indian Art from the J.R. Simplot Collection - Poster. - 13 June - 17 September 1986.
Sammy Kudluk: Making a Name for Himself in Acrylic
Saskatchewan History - The First Peoples: Plains First Nations
Savage Debauchery or Sacred Communion? Religion and the Primitive in the Pueblo Dance Controversy
Scenes from the Colonial Catwalk: Cultural Appropriation, Intellectual Property Rights, and Fashion
Screen Memories: Resignifying the Traditional in Indigenous Media
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Screening Identity: Beads, Buckskins and Redface in Autobiography and Film
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Sisters Work to Put Native in Graduations
Brief profile of Muskawa Designs, a Saskatoon based business that designs graduation gowns and endeavors to incorporate Native flair in its creations.
Entire issue on one pdf. To access article scroll to p.27.
Sites of Aboriginal Difference: A Perspective on Installation Art in Canada
Sitting Within a Place of Beauty: Sand Paintings and the Diné Night Way Ceremony
Situating Canadian Inuit Artists
Skilquewat: On the Trail of Property Woman : The Life Story of Freda Diesing
Skinning the Narrative: The Story of Fish Creek
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Some Competition and Consumer Issues in the Indigenous Visual Arts Industry
Song Cultures: Protocols for Producing Indigenous Australian Music
The Sound of the Drum
Storybook for use with primary school students.
Sounding Savagery: Native American Song and the Frontiers of Early Modern Music
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Southern Pueblo Pottery: 2,000 Artist Biographies: vol. 4
The Spirit of the White Buffalo: Sasktel Aboriginal Youth Awards of Excellence
Sport, Tribes, and Technology: The New Zealand all Blacks Haka and the Politics of Identity
St. George's Bay Mi'kmaq
Staging Captivity: Metamora and American Identity
Staraboriginality
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Stirring the Pot: Nunavik Printmaking Workshop, Phase II
The Story She Held Inside; Her Métis Spirit
Stranger than Fiction: The Creation of Two Short Theatre of the Real Plays about Closed Stranger Adoption in Aotearoa
Stress, Emotions, and Motivational States Among Traditional Dancers in New Zealand and Japan
Strong Hearts, Wounded Souls Revisited: The Research, the Findings, and Some Observations of Recent Native Veteran Readjustment
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Surviving the War by Singing the Blues: The Contemporary Ethos of American Indian Political Poetry
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.