Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
The Beat of Boyle Street: Empowering Aboriginal Youth
Through Music Making
Beauty and Resilience: Reclaiming Métis History and Women's Traditions in the Beaded Paintings of Christi Belcourt
The Beaver in Art
Becoming First Americans: Explaining a Polybian-Indian Movement in the American Southeast
Behind the Scenes: The Real Story of the Quileute Wolves
'Behold the Tears': Photography as Colonial Witness
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Benjamin West's 'Indian Family'
Between Indigenous Australia and Europe: John Mawurndjul: Art Histories in Context
Beyond the Divide: The Use of Native Languages in Anglo-and Franco-Indigenous Theatre
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
'Black is Beautiful', and Indigenous: Aboriginality and Authorship in Australian Popular Music
The Black List: Film and TV Projects since 1970 with Indigenous Australians in Key Creative Roles
The Black Wound: An Addition to the Interpretation of Plains Indian Figurative Art
The Blackfeet Buckskin Shirt
Blackfoot Warrior Shirts
Blackfoot Warrior Shirts
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Book Review:The National Museum of the American Indian: Critical Conversations
[Book Reviews]
Book Reviews
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Breaking Copper: Legislating the Repatriation of First Nations Cultural Property to Restore Self-Determination and Promote Reconciliation
Breechclouts: Full and Modified
Brian Jungen, Selected Works & Interview
Bridging Cultural Divides
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
"Buffalo Bill" and the Siouan Image
Buffy
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Canada's Cultural Property Export and Import Act: The Experience of Protecting Cultural Property
Captured Heritage: The Scramble for Northwest Coast Artifacts
Cathedral Grove
Celebrating Indigenous Languages
A Celebration of the Arts in Saskatoon - 1995.
Ceremonial Robes of the Montagnais-Naskapi
Chamakese & Gladue "Irresistable"
A Chapter Closed?
Cheyenne Moccasins with Thunderbird Designs: Part 5
Cheyenne Moccasins with Thunderbird Designs: Part 6
Cheyenne Moccasins with Thunderbird Designs: Part 7
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History's Black and Indian Subject
[Christopher Morris]
A "Cinema of Sovereignty": Working in the Cultural Interface to Create a Model for Fourth World Film Pre-Production and Aesthetics
Circling the Truth
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.