We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
“We Need New Stories”: Trauma, Storytelling, and the Mapping of Environmental Injustice in Linda Hogan’s Solar Storms and Standing Rock
"We're Rapping, Not Trapping": Hip Hop as a Contemporary Expression of Métis Culture and a Conduit to Literacy
We Were So Far Away: The Inuit Experience of Residential Schools: Activity Guide
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.
[Week 3: Oral History, Traditions, and Ways of Knowing]
Well-Suited
What Is Wrong With This Picture?: Indigenous Artists Contest The "Place" Of Indigenous People In Canada
What's the Scoop: Carey Newman and the Witness Blanket
Talk by the creator of large-scale art installation comprised of objects gathered from the sites of residential schools across Canada. Duration: 1:24:11.
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
When Consumerism and Art Collide: A Question of Identity
Where Is the Indigenous Law in State Sponsored Transitional Justice Processes? Witnessing and Truth-Telling in the Truth and Reconciliation Commission of Canada
Political Science Thesis (M.A.)--University of British Columbia, 2017.
The White Earth Digital Tribal Museum: Creation of an Open-Access Online Museum Using 3D Images of Cultural Heritage Objects
The White People Problem: Experiments in the Reverse Gaze.
Who Was “Big George”? An Exploration and Critique of Aboriginalist Discourse Within Historical Photographic and Written Texts
Media Culture and the Arts Thesis (PhD) -- Curtin University, 2015
Who Was Henry Standing Bear? Remembering Lakota Activism From the Early Twentieth Century
Why the Caged Bird Sings: Radical Inclusivity, Sonic Survivance and the Collective Ownership of Freedom Songs
Why Treaties Matter: Self-Government in the Dakota and Ojibwe Nations: Educator Guide for Grades 6-12
For use with the virtual exhibition Why Treaties Matter.
[Winter in the Blood]
Witness: Pieces of History
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
Women and Ledger Art: Four Contemporary Native American Artists
[Women's Work, Women's Art: Nineteenth Century Northern Athapaskan Clothing]
Work 2 Give: Fostering Collective Citizenship through Artistic and Healing Spaces for Indigenous Inmates and Communities in British Columbia
The World, the Text, and the Indian: Global Dimensions of Native American Literature
Wrapped in Wool and Copper: Encountering Musqueam Art at Vancouver's Granville at 70th Development Project
The Writing on the Wall: The Work of Joane Cardinal-Schubert
Xʷay'Xʷəy' and Stanley Park: Performing History and Land
Yamǫ́rıa: The One Who Travels
Yamǫ́rıa was a powerful man who helped the ancient Dene by destroying giant animals, separating animals from humans, and giving laws to enable the people to live together in harmony.
Website contains links to biographies of Dene Elders and recorded stories by them and Dene legends, laws and artwork.
Yanktonai Beadwork and Other Souvenir Items From Cannon Ball Community, North Dakota
Yoik Experiences and Possible Positive Health Outcomes: An Explorative Pilot Study
"You're Always More Famous When You Are Banished": Gerald Vizenor on Citizenship, War and Continental Liberty
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