Miniaturisation: A Study of a Material Culture Practice among the Indigenous People of the Pacific Northwest
Anthropology Thesis (PhD) -- University College London, 2017.
Missed Opportunities: Reflections on the NMAI
Missing and Murdered Indigenous Women of North America: Culture as a Tool to Denounce
More Than Just Flesh: The Arts as Resistance and Sexual Empowerment
Mt. Rushmore
The Museum, Gallery and Other Institutions in Contemporary Canadian First Nations Art
The Museum of the Plains White Person
Mythic Frontiers: Remembering, Forgetting, and Profiting with Cultural Heritage Tourism
Nanook of the North as Primal Drama
National Indigenous Music Impact Study
National Visions, National Blindness: Canadian Art and Identities in the 1920s
Native American Fashion: Inspiration, Appropriation, and Cultural Identity
Native American Music and Dance
Unit focuses on the Choctaw and Coushatta, Haudenosaunee (Iroquois), and Illinois cultures.
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
Native American Representation in Museums: A Cross Cultural Comparison of the Effects of Cultural Resources Laws
Native Art, Native Voices: A Resource for K-12 Learners
Native Art Show Brings End to Gallery's Cultural "Apartheid"
Native Emergence Theater, 1975-1985, and the Enactment of Indian Theatrical Space by Red Earth Performing Arts Company, Daystar Dance Company and American Indian Theater Company of Oklahoma
Native Moderns: American Indian Painting, 1940-1960
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
'Nature's Most Beautiful Models': George Catlin's Choctaw Ball-Play Paintings and the Politics of Indian Removal
The Navajo Rug at the Hubbell Trading Post, 1880-1920
Navajo Sandpaintings: From Religious Act to Commercial Art
Navajo Traditions in the Works of David K. John
Navigating the Challenges of the Art Book Market: Co-publishing Raven Travelling
Negotiating Accuracy and Authenticity in an Aboriginal King Lear
Never Alone: The Art and the People of the Story
The New Four Winds Guide to American Indian Artifacts
A New Thing?: The NMAI in Historical and Institutional Perspective
A New Thing? The NMAI in Historical and Institutional Perspective
Niitsitapiisini: Our Way of Life: The Story of the Blackfoot People
No Reservations: Native American History and Culture in Contemporary Art: Panel Discussion
No Sense of the Struggle: Creating a Context for Survivance at the NMAI
Noble Savage: Depictions of Native Americans throughout U.S. History
Unit involves students reading and evaluating images by Theodor DeBry, Simon van de Passes, Mathaeus Merian, D.F. Blanchard, George Catlin, John Gast, and Walter Ufer and contemporary photographs.
The "Noble Savage" in American Music and Literature, 1790-1855
Northern Games
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Norval Morrisseau: Return to the House of Invention
Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk: 1940s to Present
Not Jimmie Durham's Cherokee
Not Your Grandfather's Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.