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Alaska Iñupiaq Skin-Sewing Designs: A Portal into Cultural Identity
Cross Cultural Studies Master's Project (M.A) -- University of Alaska Fairbanks, 2018.
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Approaches to Healing after a Trauma: Eden Robinson’s Monkey Beach and Tomson Highway’s Kiss of the Fur Queen
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art as a Weapon: The Inverted Gaze in Julius Lips The Savage Hits Back
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts-based Research Methods with Indigenous Peoples: an International Scoping Review
Seham Rabaa
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond Inclusion: Canadian and Indigenous Sovereignties in Mainstream Museums
Beyond Invisibility: A REDress Collaboration to Raise Awareness of the Crisis of Missing and Murdered Aboriginal Women
Bill Reid
Bowwow Powwow
Lesson plan for book written by Brenda J. Child and illustrated by Jonathan Thunder. Designed for Pre-K to Grade 2.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Broadcasting Sovereignty: Exhibiting Nuxalk Radio at the University of British Columbia
Bwaanzhiiwi'onan = Regalia
Colouring book with Ojibwe and English text.
c̓əsnaʔəm, the city before the city: A Conversation
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Challenges in Harnessing Indigenous Knowledge Systems through Creation of Employment for Rural Women in Tanzania: The Case Study of Barabaig Leather Products in Manyara Region
Changing Debates in Museum Studies since NAGPRA
Chasms and Collisions: Native American Women's Decolonial Labor
Coast Salish Spirit Dancing: The Survival of an Ancestral Religion
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contemporary Indigenous Arts in the Classroom
Cross-Cultural Study of Sex Differences Found in Drawings by Canadian Inuit and American Children
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Curators Talk: A Conversation
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Deux musées pour un héritage: Les collections unangax̂ de l’île d’Unga
Developing Indigenous Visual Arts Transnationally and Across Genres
Diefenbaker Funeral
Displaying Truth and Reconciliation: Experiences of Engagement between Alberni Indian Residential School Survivors and Museum Professionals Curating the Canadian History Hall
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Dynamic Between the Individual and the Community in Selected Native American Performances
Editor's Introduction [vol. 7, no. 1, 2018]
The Embodied Politics of Relational Indigenous Dramaturgies
Theatre Thesis (PhD) -- University of British Columbia, 2018.
The Entangled Gaze: Indigenous and European Views of Each Other
Enunciation: Urban Indigenous Being, Digital Storytelling and Indigenous Film Aesthetics
Equality
Ernabella Arts Inc.
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.