Four More Indigenous Projects for the Native American Humanities
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
Friendship Centre Indian and Metis Fashion Show
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
from Swift Cinder
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Generating and Sustaining Positive Spaces: Reflections on an Indigenous Youth Urban Arts Program
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Guidelines for German Museums: Car of Collections from Colonial Contexts
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
He Whare Hangarau Māori: Language, Culture & Technology
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Henry Beaudry
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Highlights Report: RAIC International Indigenous Architecture and Design Symposium
Hilda Smith Interview #1
Hilda Smith Interview #2
The Historic Sites and Monuments Board of Canada’s Representation of Indigenous History from 1945 to 1982
History Thesis (MA) -- University of Ottawa, 2017.
The Historic Sites and Monuments Board of Canada's Representation of Indigenous History from 1945 to 1982
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
How Can Urban Parks Support Urban Indigenous Peoples? Exploratory Cases from Saskatoon and Portland
How Native American Rappers Communicate and Create a Modern Identity
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
"I'm an Indian Too:" A Contemporary Indigenous Reclamation of Racist Musical Tropes
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
Iihksiisiinatsiistostiimao Nipaitapiitsiin
Contemporary Arts Project (MA) -- Simon Fraser University, 2019.
Imagining Indigenous Digital Futures: An Afterword
Impacts of COVID-19 on First Nations Arts and Culture
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
In the Balance: Indigeneity, Performance, Globalization
Indian Art Display
Indian Art Gallery Opens
Indian-Metis Friendship Centre
Indian Music of the Pacific Northwest: An Annotated Bibliography of Research
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indian Rock Art - Selwyn Dewdney. - Booklet. - 1976.
The Indian Role in the 1876 Centennial Celebration
Discusses the Indian exhibition held in during the exposition in Philadelphia and how, despite attempts to have actual members of cultural groups participate, organizers were left with static displays from ethnographic collections which failed to engage the public or increase understanding of Native Americans.