A Future with a Past: Hazel Pete, Cultural Identity, and the Federal Indian Education System
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Generating and Sustaining Positive Spaces: Reflections on an Indigenous Youth Urban Arts Program
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
A Gift From the Little People
Billy Wapass Jr. presents his family's version of the ancient legend that depicts the origin of the Hand Games.
Entire issue on one pdf. To access article scroll to p.13.
"Give Me Back the Real Me": The Politics of Identity and The Ecstasy of Rita Joe, 1967-1992
Glimpsing Our Past: An Archival Photo Project
The Graphic Works of Susan A. Point from the Collection of the Burke Museum
The Great Shimmering
Guidelines for German Museums: Car of Collections from Colonial Contexts
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
He Whare Hangarau Māori: Language, Culture & Technology
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Henry Beaudry
Here is a Cabinet of Curiosities: Collecting the Past on the American Frontier
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Highlights Report: RAIC International Indigenous Architecture and Design Symposium
Hilda Smith Interview #1
Hilda Smith Interview #2
The Historic Sites and Monuments Board of Canada’s Representation of Indigenous History from 1945 to 1982
History Thesis (MA) -- University of Ottawa, 2017.
The Historic Sites and Monuments Board of Canada's Representation of Indigenous History from 1945 to 1982
How Native American Rappers Communicate and Create a Modern Identity
"Howwe Gonna Find My Me?": Postcolonial Identities in Contemporary North American Drama and Film
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
IAIA Rocks the Sixties: The Painting Revolution at the Institute of American Indian Arts
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
Iihksiisiinatsiistostiimao Nipaitapiitsiin
Contemporary Arts Project (MA) -- Simon Fraser University, 2019.
Imaging the Arctic
Imagining Indigenous Digital Futures: An Afterword
Imagining the Great White Mother and the Great King: Aboriginal Tradition and Royal Representation at the “Great Pow-wow” of 1901
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
In the Balance: Indigeneity, Performance, Globalization
Indian Art Display
Indian Art Gallery Opens
"Indian-Made": Sovereignty and the Work of Identification
Indian-Metis Friendship Centre
Indian Music of the Pacific Northwest: An Annotated Bibliography of Research
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indian Rock Art - Selwyn Dewdney. - Booklet. - 1976.
The Indian Role in the 1876 Centennial Celebration
Discusses the Indian exhibition held in during the exposition in Philadelphia and how, despite attempts to have actual members of cultural groups participate, organizers were left with static displays from ethnographic collections which failed to engage the public or increase understanding of Native Americans.