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The Contest Powwow versus the Traditional Powwow and the Role of the Native American Community
Cooking Fish Upwanask Style
The Cosmological Liveliness of Terril Calder's The Lodge: Animating Our Relations and Unsettling Our Cinematic Spaces
Cover Artist: Lorne Cappo
Coyote's Way: Missy Whiteman's Indigenous New Media
Cracking the Glass Ceiling: Contemporary Inuit Drawing
The Creation and Development of a Program of Study Derived From Ojibwe Philosophy for a Proposed Center of Learning and Research for the Arts
Creativity in Acculturation: Art, Architecture and Ceremony From the Northwest Coast
Cree Language Resources: An Annotated Bibliography
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crossroads: A Conversation with Sherman Alexie
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
A Curated Selection of Martha Tickie's Work
A Curated Selection of Mary Yuusipik's Work
Curator's Choice: Noah Echalook and Simeonie Elijassiapik
Custodians of the Past: Archaeology and Indigenous Best Practices in Canada
The Dance of the Passamaquoddy: A Cultural Study of the Passamaquoddy Tribe Portrayed through the Metaphor of Traditional Dance
Dance With Us As You Can ... : Art, Artist, and Witness(ing) in Canada's Truth nd Reconciliation Journey
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decolonization through Collaborative Filmmaking: Sharing Stories from the Heart
Desert Voices: Pitjantjatjara Women's Art and Craft Production in Ernabella, South Australia
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: 'Value-free' Ethnography
The Digital Biography of Things: A Canadian Case Study in Digital Repatriation
Disposable Red Woman: Guerrilla Art
Drumbeats of the Past
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Educator Information: To Honor & Comfort Native Quilting Traditions
Effects of European Contact on Textile Production and Exchange in the North American Southwest: A Pueblo Case Study
An Elder's View of Powwow
Eli Nasogaluak: "I Try to Produce Work That Shows a lot of Action and Strength"
Empowering Inuit Women in Community-Based Economic Development
Eskimo Carving
The Eskimo Songs of Northwestern Alaska
Essence and Existence in Allan Houser's Modernism
An Essential Personal Journey Through Iroquois Myths, Legends, Icons and History
Evelyn Victoria Windsor Interview #4
Examination of the Systems of Authority of Three Canadian Museums and the Challenges of Aboriginal Peoples
Expanding Interpretations of Native American Women's History
An Exploration of Crime Prevention Among Indigenous Youth Who Utilize the Services of the Saskatoon Youth Arts Programming (SCYAP)
Exploring Autism and Music Interventions through a First Nations Lens
Exploring International Repatriation between U.S. Museums and First Nations in Canada
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Faking It: The Appropriation of a Culture
Festival of the Dreaming - Art, Music and Dance
First Nation's Historical Centre for Tourism and Education
Discusses the First Nation owned and operated Chief Poundmaker Historical Centre and Tee-Pee Village which is open to welcome history buffs, campers, and community groups.
Entire issue on one pdf. To view article scroll to p. 18 of the special insert Windspeaker's Guide to Indian Country.