Royal Commission on Aboriginal Peoples: Presentation by Marlene Dolan, Tom Horvath, Wayne Stanley and Joan Cardinal-Shuber, Calgary Aboriginal Awareness Society
Royal Commission on Aboriginal Peoples: Presentation by Mary Carpenter
Presenter from Inuvialuit claims to be at the sitting to "represent the voice of the Inuit who have been silenced by our Inuit leaders." Carpenter gives her view of the High Arctic Relocation program, and makes allegations that members of the Inuit community threatened to have her murdered if she spoke out about any issues to the Commission.
Royal Commission on Aboriginal Peoples: Presentation by Ron Abreira, Director, Kahnawake Economic Development Group
Royal Commission on Aboriginal Peoples: Presentation by Sanford Cottrelle, Wes Wetung
Royal Commission on Aboriginal Peoples: Presentation by Sheena Jackson
Royal Commission on Aboriginal Peoples: Presentation for the Association of Canadian Publishers and Theytus Books by Karl Siegler and Greg Young-Ing
Royal Commission on Aboriginal Peoples: Presentation on behalf of First Nations Tourism Association of British Columbia, Barry Parker
Royal Commission on Aboriginal Peoples: Presentation on behalf of the Native Journalists Association, Linda Powless, Dan Smoke
Royal Commission on Aboriginal Peoples: Presentation on Behalf of the Native News Network, Miles Morrisseau
Presenter discusses bias towards Aboriginal people in the mainstream Canadian media, the role of Aboriginal media in achieving self-determination, its role in healing Aboriginal communities, and his personal experiences as an Aboriginal journalist. Following the presentation Commissioners Chartrand and Erasmus discuss some of the issues raised.
Royal Commission on Aboriginal Peoples: Slide Presentation by Ruby Arngna'naaq
Royal Commission on Aboriginal Peoples: Workshop Report for the Inuit Tapirisat of Canada by Debbie Klengenberg
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
A Sacred Object as Text: Reclaiming the Sacred Pole of the Omaha Tribe
Saskatchewan History - The First Peoples: Plains First Nations
Saskatchewan Indian Cultural College (Assorted Publications)
Saulteaux Workshop 2
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Shaping the Clay: Pueblo Pottery, Cultural Sponsorship and Regional Identity in New Mexico
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Snowshoe
Snowshoe on Tree
Snowshoes
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Staging the "Native": Making History in American Theatre Culture, 1828-1838
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
The Stereotyping of North American Indians in Motion Pictures
Storytelling in Play: Upisaski Theatre Revisited
Strange Scenes: Early Cape Dorset Drawings
Stranger than Fiction: The Creation of Two Short Theatre of the Real Plays about Closed Stranger Adoption in Aotearoa
Stress, Emotions, and Motivational States Among Traditional Dancers in New Zealand and Japan
Strong Hearts, Wounded Souls Revisited: The Research, the Findings, and Some Observations of Recent Native Veteran Readjustment
Subject to the Tourist Gaze: A Response to "Weesageechak Begins to Dance"
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.