Curators Talk: A Conversation
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Dancing Power: Examining Identity Through Native American Powwow
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Designing, Producing and Enacting Nationalisms: Contemporary Amerindian Fashions in Canada
Deux musées pour un héritage: Les collections unangax̂ de l’île d’Unga
Devil's Lake
Historical note:
DIAMA: Digitizing the Inuit and Aboriginal Media Archive
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Displaying Truth and Reconciliation: Experiences of Engagement between Alberni Indian Residential School Survivors and Museum Professionals Curating the Canadian History Hall
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
The Double Movements That Define Copyright Law and Ingenious Art in Australia
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Editor's Introduction [vol. 7, no. 1, 2018]
The Embodied Politics of Relational Indigenous Dramaturgies
Theatre Thesis (PhD) -- University of British Columbia, 2018.
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
The Entangled Gaze: Indigenous and European Views of Each Other
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Enunciation: Urban Indigenous Being, Digital Storytelling and Indigenous Film Aesthetics
Equality
Examining a Community-Based Theatre Program as a Source of Resilience and Well-being among Indigenous Youth in Saskatoon: Final Report
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
The Exiles: Native Survivance and Urban Space in Downtown Los Angeles
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
Extract from a Presentation at the Symposium “Indigenous Perspectives on Repatriation: Moving Forward Together,” Kelowna, 29–31 March 2017This Space Here
The Face Pullers: Ch.1 Images - Dance in front of Hudson's Bay Co. Store
The Face Pullers: Ch.1 Images - Indigenous Girl with Doll
The Face Pullers: Ch.3 Images - Battleford/North Battleford Baseball Teams Members
Black and white photograph of three members of the Battleford and North Battleford baseball teams. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Cree Family
Black and white photograph of an unidentified Cree family in western clothes. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - School Band
The Face Pullers: Ch.3 Images -:"Three Cree Women".
The Face Pullers: Chapter 2: Chief Nak-ka-Naw: Cree Indian in Pow-Wow costume
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.