Contemporary Interpretation of an Unusual Navajo Weaving Technique
Contemporary Ritual Practice in an Aboriginal Settlement: The Warlpiri Kurdiji Ceremony
Contested Spaces, Shared Places: The Museum of Anthropology at UBC, Aboriginal Peoples, and Postcolonial Criticism
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Copper Thunderbird
Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Courageous Conversations
Creating a Native Place: Design and Construction of the National Museum of the American Indian in Washington, DC
Creative Arts, Culture, and Healing: Building an Evidence Base
Cugtun Alngautat: The History and Development of a Picture Text Among the Nuniwarmiut Eskimo, Nunivak Island, Alaska
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Culture Warriors: Education and Awareness at the Inaugural National Indigenous Art Triennial, organized by National Gallery of Australia, 2007-2009.
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Dancing Power: Examining Identity Through Native American Powwow
Decolonizing Curatorial Practice: Acknowledging Indigenous Curatorial Praxis, Mapping Its Agency, Recognizing It's Aesthetic within Contemporary Canadian Art
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Designing, Producing and Enacting Nationalisms: Contemporary Amerindian Fashions in Canada
Devil's Lake
Historical note:
DIAMA: Digitizing the Inuit and Aboriginal Media Archive
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
The Double Movements That Define Copyright Law and Ingenious Art in Australia
Drawing From Métis Roots to Move Beyond Bipolar Disorder
An Early Seneca Beaded Doll
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Edgar Heap of Birds
[Edgar Heap of Birds]
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
The Enduring Afterlife of Before Tomorrow: Inuit Survivance and the Spectral Cinema of Arnait Video Productions
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Eufrosina's Revolution
“An Evening’s Curiosity”: Image and Indianness in James Welch’s The Heartsong of Charging Elk
Exhibit: Aboriginal Contributions to the War of 1812
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
The Face Pullers: Ch.1 Images - Dance in front of Hudson's Bay Co. Store
The Face Pullers: Ch.1 Images - Indigenous Girl with Doll
The Face Pullers: Ch.3 Images - Battleford/North Battleford Baseball Teams Members
Black and white photograph of three members of the Battleford and North Battleford baseball teams. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Cree Family
Black and white photograph of an unidentified Cree family in western clothes. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - School Band
The Face Pullers: Ch.3 Images -:"Three Cree Women".
The Face Pullers: Chapter 2: Chief Nak-ka-Naw: Cree Indian in Pow-Wow costume
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.