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Culture Warriors: Education and Awareness at the Inaugural National Indigenous Art Triennial, organized by National Gallery of Australia, 2007-2009.
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Dancing Power: Examining Identity Through Native American Powwow
Designing, Producing and Enacting Nationalisms: Contemporary Amerindian Fashions in Canada
Devil's Lake
Historical note:
DIAMA: Digitizing the Inuit and Aboriginal Media Archive
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
Double Masks of the Northwest Coast of America in Museum Collections
The Double Movements That Define Copyright Law and Ingenious Art in Australia
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
The Eskimos
The European Perception of the Native American, 1750-1850
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
The Face Pullers: Ch.1 Images - Dance in front of Hudson's Bay Co. Store
The Face Pullers: Ch.1 Images - Indigenous Girl with Doll
The Face Pullers: Ch.3 Images - Battleford/North Battleford Baseball Teams Members
Black and white photograph of three members of the Battleford and North Battleford baseball teams. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Cree Family
Black and white photograph of an unidentified Cree family in western clothes. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - School Band
The Face Pullers: Ch.3 Images -:"Three Cree Women".
The Face Pullers: Chapter 2: Chief Nak-ka-Naw: Cree Indian in Pow-Wow costume
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers - Unused Photos- Unidentified Man with Children from the Qu'Appelle Industrial School
Fact or Fiction? (Genre) Boarder Crossing in American Indian Film
The Fast Runner: Filming the Legend of Atanarjuat
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Feathers, Furs and Fringes: A Semiological Analysis of Powwow Regalia
[Female Inuk Child]
Filmmaker, Lawyer, Indian Chief: The Negotiation of Identity in an Indigenous Film Festival
Finding Our Way: Discussion Guide
Finding Our Way: Film Screenings and Community Based Dialogues in Burns Lake: Summary Report
First Nations, First Thoughts: The Impact of Indigenous Thought in Canada
First Peoples' Heritage, Language & Culture Council
From a Whisper to a Scream
From Kapahaka to Hip Hop: Maori Popular Music in Aotearoa/New Zealand
From Noble Savage to Righteous Warrior: [Regenerating and Reinscribing Indigenous Presences]
From The "Dreamtime" To The Present: The Changing Role of Aboriginal Rock Paintings In Western Arnhem Land, Austrailia
From Yoik to Music: Pop, Rock, World, Ambient, Techno, Electronica, Rap, and...
Gathering of Nations: Experience of a Lifetime
Gender in Art: A Comparison of Lakota Women's and Men's Art, 1820–1920
Art History Thesis (PhD) -- University of New Mexico, 1989.