[Kaahsinnooniksi Ao'toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts]
Documents & Presentations
Author/Creator
Anna Bullshoe
Description
Lesson plan developed in conjunction with exhibition of Blackfoot shirts loaned from the Pitt Rivers Museum, University of Oxford, to the Glenbow and Galt Museums in Alberta.
Can be adapted for all age groups.
Lesson Plan: Blackfoot Winter Counts and their Stories
[Kaahsinnooniksi Ao'toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts]
Documents & Presentations
Author/Creator
Ramona L. Big Head
Description
Lesson plan developed in conjunction with exhibition of Blackfoot shirts loaned from the Pitt Rivers Museum, University of Oxford, to the Glenbow and Galt Museums in Alberta.
Designed for Grade 2 language arts, but can be adapted to other levels.
Ao'toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts]
Lesson Plan: Creative Writing and Drama
Documents & Presentations
Author/Creator
Ramona L. Big Head
Description
Lesson plan developed in conjunction with exhibition of Blackfoot shirts loaned from the Pitt Rivers Museum, University of Oxford, to the Glenbow and Galt Museums in Alberta.
Designed for high school students.
A photograph of Blanche Mann (later Askie) and her mother Sarah Mann inside the Saddle Lake Indian Agency house between 1900 and 1904. Blanche was the agency secretary for her father Indian agent George Mann. The agency house was home to the Mann family from 1900 to 1905. Note the Victorian decor.
A photograph of Blanche Mann (later Askie) inside the Saddle Lake Indian Agency house between 1900 and 1904. Blanche was the agency secretary for her father Indian agent George Mann. The agency house was home to the Mann family from 1900 to 1905.
Website contains information on the destruction of Aboriginal heritage trees by industrial logging and it impact on First Nations identity and culture. Includes links to resources on totem poles and European trees,and related stories, digital media, and galleries.
Presents a video of Jason Chamakese and Robert Gladue performing, using flute, hand drum and singing, at the 7th annual Aboriginal Music Festival in Saskatoon, Saskatchewan.
A photograph of the Half-Breed Commissioners sitting in their mess tent with some female visitors (wives?) at Duck Lake, NWT during their visit to that area in 1900.
Commodifications of the Past? An IPinCH Knowledge Base Bibliography
Intellectual Property Issues in Cultural Heritage: Theory, Practice, Policy, Ethics
Documents & Presentations
Author/Creator
James Herbert
Description
Lists 208 publications (articles, letters, websites, webpages, government documents, and books) deemed to be of interest to the Commodifications of the Past? Working Group from the Intellectual Property Issues in Cultural Heritage (IPinCH) research project.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
Presents a selection of papers presented April 29-30, 2009, Faculty of the VCA and Music, The University of Melbourne about the business of Indigenous performing arts, its history and its future.
A photograph of the creator of a totem pole given to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of the creator of a totem pole given to the City of Prince Albert receiving an award from what is likely a City official, 1975. The pole was carved by a First Nations man originally from British Columbia.
Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.
A photograph of a First Nations dancer in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of First Nations dancers (adults and children), in traditional garb,and a drum circle, at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of First Nations dancers in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.