The Dynamism and Transformation of "Tradition": Factors Affecting the Development of Powwows in Southwestern Ontario
Economic Impact Study: Nunavut Arts and Crafts: Final Report
The Ecstasy of Rita Joe
Eekwol Has No Intention of Leaving the Hip Hop Genre
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
Embodying the Screen: Body and Identity in Aboriginal Cinemas
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Ernestine Shuswap Gets Her Trout
Eugenics as Indian Removal: Sociohistorical Processes and the De(con)struction of American Indians in the Southeast
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exploring Aboriginal History in the Fraser Valley
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
Eye Contact: Photographing Indigenous Australians
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.