Stepping Out: 10,000 Years of Walking the West: Decolonizing Strategies at the Museum of Indian Arts and Culture
Stolen Spirits of Haida Gwaii
The Storage Box of Tradition: Kwakiutl Art, Anthropologists, and Museums,1881--1981
Storytelling and Strength: Voices from Indigenous Theatre in Canada
A Strange Time Machine: The Tracker, Black and White, and Rabbit-Proof Fence
Stryker: A Film by Noam Gonick
Stryking While the Fire is Hot: Noam Gonick's Stryker
Students' Play Fights Diabetes in Children
Supernatural: Neil Campbell & Beau Dick
Surrender of White Cap's Warriors
"Swing Up the Dead" for Burial at Fish Creek, 1885
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Teacher Resource Guide for Grades 9-12: Learn About Community & Land Stewardship through the Art of Pitseolak Ashoona
Pitseolak Ashoona is a renowned Inuk artist from Nunavut.
Designed to complement the book Pitseolak Ashoona: Life and Work.
Teacher Resource Guide for Grades 9-12: Learn about Land & Indigenous Worldviews through the Art of Norval Morrisseau
Includes biography, discussion of artist's style and techniques learning activities, and image file. Designed to complement Norval Morrisseau: Life and Work by Carmen Robertson.
Teaching with and about the Ivory Art from Chukotka and the Bering Strait
Examines the contemporary practices of craving and engraving walrus ivory.
Terms of Engagement: The Collaborative Representation of Alutiiq Identity
Theatre for Living and Practicing Democracy: Negotiating the Monologic Beast
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
The Thief and the Shaman
"This Ain't Dances with Salmon": Native American Tropes in Dime Novels and Western Film Referencing Dances with Wolves
This is Real
The Three Men Who Captured Riel in 1885
"To Bring a Little Bit of the Land": Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism
Music and Culture Thesis (M.A) - Carleton University, 2019.
Tradition and Change in Eighteenth-Century Pueblo Indian Communities
Traditional Alaska Transition Skills: Introduction to Traditional Carving
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work-related skills.
Transpersonal Creativity: The Alchemy of Indigenous Art and Craft
Troops enroute to N.W. Rebellion, 1885
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Two Dreamtimes: Representation of Indigeneity in the Work of Australian Poet Judith Wright and Canadian Artist Emily Carr
The Two Row Wampum: Historic Fiction, Modern Reality
Unmasking the Mouse: Cultural Appropriation in Disney Films
Unsettled Business: Acrylic Painting, Tradition, and Indigenous Being
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Untranslatable Timescapes in James Welch’s Fools Crow and the Deconstruction of Settler Time
The Uprising in the Northwest - Sketch. - 25 April 1885.
Uqalurait: An Oral History of Nunavut
Urban Regalia: An Exhibition in Two Parts: Exhibition Catalogue
The Urewera Mural: Becoming Gift and the Hau of Disappearance
Vanishing Images? Mediations of Native Americans in the Tradition of the Western
Visitor Responses to Nitsitapiisinni: Our Way of Life: The Impact of Collaboration on Visitors' Experiences
Visual Sovereignty and Indigenous Film Festivals: A Case Study on the Native Crossroads Film Festival
Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918
Voices of the Land: Indigenous Design and Planning from the Prairies
Walk-Through at the Hammer
Walking with Our Sisters: Healing through Storytelling
Wampum Belts with Initials and/or Dates as Design Elements: A Preliminary Review of One Subcategory of Political Belts
Discusses wampum belts, produced by tribes of the Eastern seaboard from 1600 to 1800, including their distinct beadwork styles, their functions and the practice of reuse of beads.