Cultural Appropriation vs. Appreciation
Designed as a brief introduction to the issues for educators.
Cultural Mediations: Or How to Listen to Lewis and Clark's Indian Artifacts
Cultural Revitalization and Mi'kmaq Music-Making: Three Newfoundland Drum Groups
Culture and Native American Theater: A Structural Analysis of Diane Glancy's "The Truth Teller"
Curbing Cultural Appropriation in the Fashion Industry
Dallas Arcand [a.k.a Kray(Z)Kree
Dana Claxton's Patient Storm
Dance of the Canoe Pants
The Dawn of Translation
De-Colonizing Bodies : The Treatment of Gender in Contemporary Drama and Film
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
The Death of a Chief: Watching for Adaptation ; or, How I Learned to Stop Worrying and Love the Bard
Death of the Celluloid Maiden: Images of Native American Women in Film
Decentering Durham
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Detailed Description: Las Desaparecidas/Missing
Discourse, Cultural Policy, and Other Mechanisms of Power: The Smithsonian Institution's National Museum of the American Indian
Discussion Papers [Destinations December 1-3, 2003]
"Do Not Park Bicycles!": America Meredith, Dylan Miner, Tania Willard, Terri Saul, Yatika Fields
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
The Double Entendre of Re-Enactment
Dreaming in Motion: Celebrating Australia's Indigenous Filmmakers
A Drum Speaks: A Partnership to Create a Digital Archive Based on Traditional Ojibwe Systems of Knowledge
Duck Lake, Aug. 2003 - Slides.
Historical note:
Duck Lake Battle Grounds
The Dynamism and Transformation of "Tradition": Factors Affecting the Development of Powwows in Southwestern Ontario
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
The Ecstasy of Rita Joe
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Eekwol Has No Intention of Leaving the Hip Hop Genre
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Embodying the Screen: Body and Identity in Aboriginal Cinemas
Emerging from the Mist: Studies in Northwest Coast Culture History
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
Engaged Resistance in American Indian Art, Literature and Film
Ernestine Shuswap Gets Her Trout
Eugenics as Indian Removal: Sociohistorical Processes and the De(con)struction of American Indians in the Southeast
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
Exploring Aboriginal History in the Fraser Valley
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.