Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Curbing Cultural Appropriation in the Fashion Industry
Custer on Canvas: Representing Indians, Memory, and Violence in the New West
Danza Mexica: Indigenous Identity, Spirituality, Activism, and Performance
The Dawn of Translation
The (De)construction of 'Indianness' at Writing-On-Stone Provincial Park
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
Decentering Durham
Decolonization Through Harmonization
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Lens of Power: Indigenous Films in North America
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Dennis and Jean Fisher Donate Large Collection of Métis-Related Artefacts to Gabriel Dumont Institute
Depicting Race & Torture on the Early Modern Stage
Designing Culture: Intersections of Indigenous Culture at the First Peoples House, University of Victoria
Distinctly Oscar Howe: Life, Art, Stories
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
Documenting the Dakota: Lucy Margaret Baker
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Donna's Story
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
Douglas Talks About ... The National Museum of the American Indian: Part One
Douglas Talks About ... The National Museum of the American Indian: Part Two
Drumming My Way Home: A Secwepemc Perspective
Duck Lake Battle Grounds
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
"Elder Up!": A Mentor/Mentee Memoir
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
Embodied Knowledge, Relations With The Environment and Political Negotiation: St. Lawrence Island Yupik and Iñupiaq Dance in Alaska
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
An Excerpt From a Eulogy Presented at the Occasion of a Memorial Service in Honour of Marlene Moser, Royal Botanical Gardens, Burlington, ON
Exhibit Honours Aboriginal Women
Exploring Authenticity in American Indian Art at the First Americans Festival
Exploring Craft Cooperative Potential in Paqtnkek Mi'kmaq Community: Final Report
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.