Desert Voices: Pitjantjatjara Women's Art and Craft Production in Ernabella, South Australia
Developing and Organizing an Archival Education Training Opportunity for Oregon's Tribal Communities: The Oregon Tribal Archives Institute
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: 'Value-free' Ethnography
Dinjii Zhuh: Productive Disruptions
Douglas Cardinal and the Indigenous Creative Process
Drawn from the Ground: Sound, Sign and Inscription in Central Australian Sand Stories
Drumbeats of the Past
Duck Lake Battle Grounds
Early Osage Dancers: 1885-1923
Editor's Note [American Indian Quarterly, Volume 39, Number 1]
Educator Information: To Honor & Comfort Native Quilting Traditions
Effects of European Contact on Textile Production and Exchange in the North American Southwest: A Pueblo Case Study
An Elder's View of Powwow
Empowering Inuit Women in Community-Based Economic Development
Endurant Bodies/Atmospheric Borders: Race, Indigeneity, and Transmedia Art in Contemporary Canada
Essence and Existence in Allan Houser's Modernism
An Essential Personal Journey Through Iroquois Myths, Legends, Icons and History
Evaluation of the Kòts'iìhtła ("We Light the Fire") Project: Building Resiliency and Connections through Strengths-Based Creative Arts Programming for Indigenous Youth
An Examination of Native Americans in Film and Rise of Native Filmmakers
Examination of the Systems of Authority of Three Canadian Museums and the Challenges of Aboriginal Peoples
Explorations in Haida Formline Design: Abstract Paintings
Four lessons designed for Grades 8-12.
Exploring the Relationship Between Cultural Identity, Health, and Social Support With An Aboriginal Women's Hand Drum Group
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Face Time
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Faux Ermine Tails
Festival of the Dreaming - Art, Music and Dance
The Fight at Duck Lake
Finding a Place for Cacega Ayuwipi within the Structure of American Indian Music and Dance Traditions
Finding One's Own Voice as an Indigenous Filmmaker
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Nation's Historical Centre for Tourism and Education
Discusses the First Nation owned and operated Chief Poundmaker Historical Centre and Tee-Pee Village which is open to welcome history buffs, campers, and community groups.
Entire issue on one pdf. To view article scroll to p. 18 of the special insert Windspeaker's Guide to Indian Country.