Noble Savage/Indigéne sauvage: Staging First Nations in Early Canadian Opera
Articles » Scholarly, peer reviewed
Author/Creator
Mary I. Ingraham
Nineteenth-Century Music Review, vol. 11, 2014, pp. 255-272
Description
Discusses the roles of Fist Nations peoples in two musical works: Arthur A. Clappé and Frederick Augustus Dixon's Canada's Welcome from 1879 and Joseph Vézina, Alex Villandray and Louis Fleur's Le fétiche from 1912.