Decolonizing Curatorial Practice: Acknowledging Indigenous Curatorial Praxis, Mapping Its Agency, Recognizing It's Aesthetic within Contemporary Canadian Art
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Desert Crafts: Anangu Maruku Punu
The Desire to Crunch Bone: Daniel David Moses and the "True Real Indian"
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Drawing From Métis Roots to Move Beyond Bipolar Disorder
Dreaming of Double Woman: The Ambivalent Role of the Female Artist in North American Indian Myth
Duck Lake Battle Grounds
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
An Early Seneca Beaded Doll
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Echoes of a Proud Nation: Reading Kahnawake's Powwow as a Post-Oka Text
Edgar Heap of Birds
[Edgar Heap of Birds]
The Enduring Afterlife of Before Tomorrow: Inuit Survivance and the Spectral Cinema of Arnait Video Productions
Ethnography and Communication: Approaches to Aboriginal Media
Eufrosina's Revolution
“An Evening’s Curiosity”: Image and Indianness in James Welch’s The Heartsong of Charging Elk
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Exhibit: Aboriginal Contributions to the War of 1812
Exploding Canons: The Anthropology of Museums
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.