Cry For Luck: Sacred Song and Speech Among the Yurok, Hupa, and Karok Indians of Northwestern California
Cultural Appropriation vs. Appreciation
Designed as a brief introduction to the issues for educators.
Cultural Property
Cultural Renewal in Aboriginal Theatre Aesthetics
Curbing Cultural Appropriation in the Fashion Industry
Dance and the Colonial Body: Re-choreographing Postcolonial Theories of the Body
The Dance of Person and Place: One Interpretation of American Indian Philosophy
Dancing Amoxtli: Danza Azteca and Indigenous Body Art as Forms of Resistance
Dancing, Singing, Painting, and Speaking the Healing Story: Healing through Creative Arts
[Dave Robertson & Sugar Falls: A Residential School Story]
The Dawn of Translation
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
Decentering Durham
Decolonizing Museums: Representing Native America in National and Tribal Museums
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Desert Crafts: Anangu Maruku Punu
The Desire to Crunch Bone: Daniel David Moses and the "True Real Indian"
Digital Modalities of Sited Memory: Athavale and Blackhorse's Animated Territories
Diplomatic Aesthetics: Globalization and Contemporary Native Art
Discovering Totem Poles: A Traveler's Guide
Book review of: Discovering Totem Poles by Aldona Jonaitis.
Entire issue on one pdf. To access article scroll to p.34.
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
Does Nunavut Need a Performing Arts Centre?
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Douglas Cardinal
[Dr. Jessica Metcalfe and American Indian Fashion]
Dreaming of Double Woman: The Ambivalent Role of the Female Artist in North American Indian Myth
Drumbeat: [Native American Music and Movies]
Duck Lake Battle Grounds
Duodji: A New Step For Art Education
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
East by Northeast: A Haudenosaunee Beaded Purse from the Montreal Region
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Echoes of a Proud Nation: Reading Kahnawake's Powwow as a Post-Oka Text
Edward Curtis Project
Edward S. Curtis, Above the Medicine Line: Portraits of Aboriginal Life in the Canadian West
Electronic Powwow is Music Made for Dancing
Brief profile of a band, A Tribe Called Red, whose blend of powwow songs with a dance beat has been nominated for a Canadian Polaris Prize.
Entire issue on one pdf. To access article scroll to p.23.
Emergence and Collapse of Early Villages: Models of Central Mesa Verde Archaeology
An Era of New Music: An Interview with Billy Janis--Mista Futuristic (Lakota)
Escaping the Cage: Cultural Performance as Activism, 1890-1951
Ethnography and Communication: Approaches to Aboriginal Media
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
[The Exile Book of Native Canadian Fiction and Drama]
Exploding Canons: The Anthropology of Museums
Extraordinary Book of Native American Lists
Eyewitness at Wounded Knee
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.