Copy of Illustration from ILLUSTRATED WAR NEWS, April 4, 1885
Coulee at Fort Qu'Appelle, N.W.T.
Cowboys and Indians: Perceptions of Western Films Among American Indians and Anglos
Cree Chiefs from Crooked Lake
Cree Council on Sweetgrass Reserve
Critical Issues in Recent Native American Art
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Crossroads of Continents: Cultures of Siberia and Alaska
Cultural Ambassador: Alex Alikashuak
Cultural Appropriation vs. Appreciation
Designed as a brief introduction to the issues for educators.
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Curbing Cultural Appropriation in the Fashion Industry
Czapla Music
Dancing Gods: Erna Fergusson's Travels toward Exoticism
The Dawn of Translation
The (De)construction of 'Indianness' at Writing-On-Stone Provincial Park
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
Decentering Durham
Decolonization Through Harmonization
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Defying the Limits
Depicting Race & Torture on the Early Modern Stage
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Donna's Story
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
Duck Lake Battle Grounds
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Elisapee Ishulutaq: A Quirky Use of Multiple Perspectives
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.