The Economics of Cultural Misrepresentation: How Should the Indian Arts and Crafts Act of 1990 be Marketed?
Edward E. Ayer Digital Collection (Newberry Library): [North American Indians]
Equality Rights Proponent Was an Accomplished Artisan
Chronicles the life and works of Horton First Nation Chief Rita Smith.
Entire issue on one pdf. To access article scroll to p.30.
Ernestine Shuswap Gets Her Trout
The Eskimos
The European Perception of the Native American, 1750-1850
An Examination of Selected Piano Works by Francisco Mignone, Lorenzo Fernandez and Marlos Nobre Using the Corresponding Brazilian Dances as a Guide to Their Performance
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Excellence Through Cognizance: Native American Art and Spirituality
The Exploration of Northwest Coast Indian Art, 1774-2003
Exploring the Connection Between Aboriginal Women's Hand Drumming and Health Promotion (Mino-Bimaadiziwin)
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Feathers Float
Feathers, Furs and Fringes: A Semiological Analysis of Powwow Regalia
[Female Inuk Child]
The Fight at Duck Lake
A Filtered Vision: The World According to Arnaqu Ashevak
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Nations Youth Reframing the Focus: Cultural Knowledge as a Site for Health Education
First Peoples' Heritage Language & Culture Council: Government Service Plan 2003/4-2005/6
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Floating World: The Post-Minimalist Art of Faye HeavyShield
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Four More Indigenous Projects for the Native American Humanities
[Four Sky Thunder]
From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art
From Negative to Positive: B.A. Haldane, Nineteenth Century Tsimshian Photographer
From Quilts to Fish Stories
From The "Dreamtime" To The Present: The Changing Role of Aboriginal Rock Paintings In Western Arnhem Land, Austrailia
Gabriel Dumont - Portrait
Gateway to Aboriginal Heritage
Gender in Art: A Comparison of Lakota Women's and Men's Art, 1820–1920
Art History Thesis (PhD) -- University of New Mexico, 1989.