The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Feathers, Furs and Fringes: A Semiological Analysis of Powwow Regalia
[Female Inuk Child]
The Fight at Duck Lake
Films: Edward S. Curtis: An Old Picture in a New Frame
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Nation Pow Wow - Hoop Dancer Wanuskewin. - Oct. 8 2000. - Slides.
First Nations Dolls
First Nations Identity
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Nations of the Southern Praries
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Focus On: Curatorial Collaboration
Focus On: Curatorial Collaboration
Forms of Belonging, Forms of Difference: Art, Ethnicity and Stratifications of Culture in Contemporary Santa Fe
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Four More Indigenous Projects for the Native American Humanities
[Four Sky Thunder]
From Advocacy to Ethnology: Frank Speck and the Development of Early Anthropological Projects in Canada, 1911-1920
From The "Dreamtime" To The Present: The Changing Role of Aboriginal Rock Paintings In Western Arnhem Land, Austrailia
A Future with a Past: Hazel Pete, Cultural Identity, and the Federal Indian Education System
Gabriel Dumont - Portrait
Gender in Art: A Comparison of Lakota Women's and Men's Art, 1820–1920
Art History Thesis (PhD) -- University of New Mexico, 1989.
General F.D. Middleton
The George Catlin Indian Gallery in the U.S. National Museum (Smithsonian Institution) with Memoir and Statistics
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
A Gift From the Little People
Billy Wapass Jr. presents his family's version of the ancient legend that depicts the origin of the Hand Games.
Entire issue on one pdf. To access article scroll to p.13.
"Give Me Back the Real Me": The Politics of Identity and The Ecstasy of Rita Joe, 1967-1992
Government Surveyors (Scout) Corps During the 1885 Uprising
The Graphic Works of Susan A. Point from the Collection of the Burke Museum
Grenadiers Relieving the 90th Battalion at Fish Creek, N.W. Rebellion, 1885
Guardhouse, N.W.M.P. Post at Regina, Sask., Where Louis Riel was Confined
Guidelines for German Museums: Car of Collections from Colonial Contexts
"He shot Capt French"
Head and shoulders portrait of Chief Poundmaker
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Here is a Cabinet of Curiosities: Collecting the Past on the American Frontier
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Holding Back: The Theatre's Resistance to Non-Traditional Casting
How "They" See "Us": Native American Images of Tourists
"Howwe Gonna Find My Me?": Postcolonial Identities in Contemporary North American Drama and Film
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.