Copyright Issues Regarding Inuit Art
Brief discussion of artists' right to control reproduction and exhibition of their work and their moral right to the integrity of their creations.
Coulee at Fort Qu'Appelle, N.W.T.
Cree Chiefs from Crooked Lake
Cree Council on Sweetgrass Reserve
Culture and Tourism in the Navajo Country
A Culture in Transition: A Case Study of Eastern Arctic Students' Creative Work
Culture, Race and Identity: Australian Aboriginal Writing
Daughter of Adult Inuk Guide. - Portrait.
Direct Cinema: Filmmaking Style and Its Relationship to "Truth"
Double Masks of the Northwest Coast of America in Museum Collections
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Duck Lake Battle Grounds
The Eskimo Art Business
The Eskimos
The European Perception of the Native American, 1750-1850
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facing the Future, Envisioning the Past: Visual Literature and Contemporary Northwest Coast Masks
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Feathers, Furs and Fringes: A Semiological Analysis of Powwow Regalia
[Female Inuk Child]
The Fight at Duck Lake
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
[Four Sky Thunder]
From Ceremonial Object to Curio: Object Transformation at Port Simpson and Metlakatla, British Columbia in the Nineteenth Century
From Creation Stories to '49 Songs: Cultural Transactions with the White World as Portrayed in Northern Plains Indian Story and Song
From The "Dreamtime" To The Present: The Changing Role of Aboriginal Rock Paintings In Western Arnhem Land, Austrailia
Gabriel Dumont - Portrait
Gender in Art: A Comparison of Lakota Women's and Men's Art, 1820–1920
Art History Thesis (PhD) -- University of New Mexico, 1989.