The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facing the Future, Envisioning the Past: Visual Literature and Contemporary Northwest Coast Masks
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
The Fight at Duck Lake
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Four More Indigenous Projects for the Native American Humanities
[Four Sky Thunder]
From Ceremonial Object to Curio: Object Transformation at Port Simpson and Metlakatla, British Columbia in the Nineteenth Century
From Creation Stories to '49 Songs: Cultural Transactions with the White World as Portrayed in Northern Plains Indian Story and Song
Gabriel Dumont - Portrait
General F.D. Middleton
The George Catlin Indian Gallery in the U.S. National Museum (Smithsonian Institution) with Memoir and Statistics
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Government Surveyors (Scout) Corps During the 1885 Uprising
Grenadiers Relieving the 90th Battalion at Fish Creek, N.W. Rebellion, 1885
Guardhouse, N.W.M.P. Post at Regina, Sask., Where Louis Riel was Confined
Guidelines for German Museums: Car of Collections from Colonial Contexts
"He shot Capt French"
Head and shoulders portrait of Chief Poundmaker
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
The Heritage Boom: Evolution of Historical Resource Conservation in Alberta
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Historic and Prehistoric Perceptions: Aboriginal Rock Art in Australia
A Historical and Interpretive Study of Inuit Drum Dance in the Canadian Central Arctic: The Meaning Expressed in Dance, Culture, and Performance
Holman Printmaking
Howard Contin (Meskiash) Interview
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Iconography in the portraiture of Joseph Brant, 1742-1807
Art History Thesis (MA) -- Concordia University, 1983.
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
If It's Not Shamanic, Is It Sham? An Examination of Media Responses to Woodland School Art
Iihksiisiinatsiistostiimao Nipaitapiitsiin
Contemporary Arts Project (MA) -- Simon Fraser University, 2019.