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8th Fire: At the Crossroads
Aboriginal Music in Contemporary Canada: Echoes and Exchanges
Aboriginal Theatre
Alanis Obomsawin
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
Building Leadership Capacity Amongst Young Anishinaabe-Kwe Through Culturally-based Activities and Creative Arts
Carol Geddes
Coming to You From the Indigenous Future: Native Women, Speculative Film Shorts, and the Art of the Possible
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Community, Conflict, Difference: New Genre Public Art in Winnipeg
Conversations with Remarkable Native Americans
Coyote's Way: Missy Whiteman's Indigenous New Media
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Disposable Red Woman: Guerrilla Art
[Dr. Jessica Metcalfe and American Indian Fashion]
Expanding Interpretations of Native American Women's History
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
[The Forgotten: Pamela Masik Art Collection]
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Helen's Quilt as Autobiographical, Social, and Political Text in Thomas King's Truth and Bright Water
Highway to the Valley
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Imagining Indigenous Digital Futures: An Afterword
In the Balance: Indigeneity, Performance, Globalization
Indigenous History: A Bibliography
Indigenous Knowledge and Prospects for Income and Employment Generation: The Case of Handicraft Production among Rural Women in Tanzania
Indigenous Women and Feminism: Politics, Activism, Culture
International Indigenous Development Research Conference 2012: Proceedings
Intersecting Practices of Art and Activism: Joane Cardinal-Schubert, Doreen Jensen, and Daphne Odjig
Intimate Partner Violence (IPV) and the Social Determinants of Aboriginal Peoples’ Health: A Case Study of First Nations Women’s Resilience, Resistance, and Renewal
Is Canada Postcolonial?: Re-Asking through "The Forgotten" Project
[Jamie Black and the Red Dress Project]
[Jamie Black and the REDress Project]
Joane Cardinal-Schubert: Aboriginal Woman Artist
Knitting and Basket-Making Receives an Official Nod
Comments on the designation of Cowichan sweaters and Nlaka'pamux basket making as Aboriginal items of national historic significance by the Historic Sites and Monuments Board of Canada.
Page 4 of insert entitled Raven's Eye: Special Section Providing News from BC & Yukon.
The Life You Want: A Young Woman's Struggle through Addiction: Educational Resource
Lighting Fires: Re-Searching Sexualized Violence with Indigenous Girls in Northern Canada
Metis Multidisciplinary Artist Moe Clark: Poetic Transformation
Missing and Murdered Indigenous Women of North America: Culture as a Tool to Denounce
Natalie Curtis Burlin: A Life in Native and African American Music
North Country: The Making of Minnesota
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
Reconsidering Olmec Visual Culture: The Unborn, Women, and Creation
REDressing Invisibility and Marking Violence Against Indigenous Women in the Americas Through Art, Activism and Advocacy
Representations of Gendered Violence in Monique Mojica's Princess Pocahontas and the Blue Spots and Marie Clements' The Unnatural and Accidental Women
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.