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Aboriginal Portraits from the National Archives of Canada
Alfred Kroeber and the Photographic Representation of California Indians
All I Had for Hair was Pink Yarn: A Survey of Doll Art From Alaska and Canada
Alootook Ipellie: The Voice of an Inuk Artist
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Arctic Circle
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
The Art of Qaqaq Ashoona
Aurora College's Fine Arts Program Dubbed an Eye-Opener
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Between Two Worlds: Sculpture by David Ruben Piqtoukun
Bill Nasogaluak: Getting Past the Oral Tradition
Bill Reid - Metalsmith, Wood Carver, Jeweller: About the Craftsperson
Cape Dorset Prints: 1969
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Confessions of an Igloo Dweller
The Contemporary Living Art
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
A Curated Selection of Pauta Saila's Work
Curating and Controlling Zuni Photographic Images
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
[Dynamic Traditions: 'Cannery Days' Exhibit at Vancouver's Museum of Anthropology]
Elisapee Inukpuk: "I Enjoy Dollmaking Immensely"
Elsie Klengenberg: "I Like to Draw People, Animals and Little Kids"
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
A Functional Analysis of Northwest Coast Spindle Whorls
George Catlin's Indian Gallery: Art, Science, and Power in the Nineteenth Century
Gideon Qauqjuaq: Intimate Sculpture
Graphic Indigeneity : Comics in the Americas and Australasia
Head and Face: Selected Views in Inuit Sculpture
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
High-Speed Film Captures the Vanishing American, in Living Color
Hotdogger and Holdouts
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Igloolik Video: An Organic Response From a Culturally Sound Community
Iljuwas Bill Reid: Life & Work
Imaak Takujavut: Paintings from Cape Dorset
Images of the Land
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.