The Moccasin Identifier Education Kit
Mothers of Corn: Wixárika Women, Verbal Performances, and Ontology
Murdered and Missing Indigenous Women in Canadian Crime Films
Museums Decolonizing with Holistic Intentionality: Curatorial and Descendant Community Processes
NAGPRA's Politics of Recognition: Repatriation Struggles of a Terminated Tribe
Native Narratives, Mystery Writing, and the Osage Oil Murders: Examining Mean Spirit and The Osage Rose
Nemuel Island
Nomadic Nenets Women’s Sewing Skills: The Ethno-Pedagogical Process of Transferring Traditional Skills and Knowledge by Nenets Women through the Generations as Part of Their Nomadic Culture
Nuuk, Greenland: Site, Situation, and “The Law of the Primate City”
Objets ethnographiques associés aux Inuit du Labrador exhibés en Europe en 1880
On the Mysterious 1831 Cherokee Manuscript or Jisdu Fixes John Locke’s Two Treatises of Civil Government
Our War Paint Is Writers' Ink: Anishinaabe Literary Transnationalism
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
The Paths to Realizing Reconciliation: Indigenous Consultation in Jasper National Park
Using interviews from the Jasper Indigenous Forum (JIF) the authors examines the struggle for Indigenous representations into how their culture is presented.
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things”
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
The Poetry of Ralph Salisbury: Syntax as Vehicle for Conveying an Ethical Vision
Policing Resource Extraction and Human Rights in The Land of the Dead
Prairie Families: Cree-Métis-Saulteux Materialities as Indigenous Feminist Materialist Record of Kinship-Based Selfhood
Qaujimanira: Inuit Art as Autoethnography
Questions about Questions: Law and Film Reflections on the Duty to Learn
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
"Re-Creation Stories": Re-Presencing, Re-Embodiment, and Repatriation Practices in Leanne Betasamosake Simpson's "How to Steal a Canoe"
Reconciliation: Facilitating Ethical Space between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus
The REDress Project: Casting an Indigenous Feminist Worldview on Sexual Violence Prevention and Education Programs in Ontario’s Universities (Dispatch)
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Representations of Missing and Murdered Indigenous Women in Canadian Art
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36
Speaking Our Truth: A Journey of Reconciliation: Teachers' Resource Guide
For use with the book by Monique Gray Smith. Includes summary, essential questions, key concepts, vocabulary and learning activities for each chapter of book. Recommended for ages 9-13.
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Stories of Oka: Land, Film, and Literature
Sydney as an Indigenous Place: "Goanna Walking" Brings People Together
Taitsumanialuk, les collections de l’Arctique canadien et du Groenland dans les musées français au XIXe siècle
Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada
“This Story Needs a Witness”: The Imbrication of Witnessing, Storytelling, and Resilience in Lee Maracle’s Celia’s Song
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
Unsettling the Archive: Intervention and Parody in Contemporary Indigenous Photography
Victory through Honour: Reconciling Canadian Intellectual Property Laws and Kwakwaka’wakw Cultural Property Laws
The Vitruvian Man and Beyond: Spirit Imperative in the Life and Poetry of Ralph Salisbury
Washed Away: Native American Representation in Oklahoma Museums and High Schools, 2000-2020
“We don’t kiss like that”: Inuit Women Respond to Music Video Representation
Weaving the Present, Writing the Future: Benaway, Belcourt, and Whitehead's Queer Indigenous Imaginaries
Wendy Red Star: Challenging Colonial Histories and Foregrounding the Impacts of Violence Against Indigenous Women
Art History Thesis (BA) -- University of Colorado, 2018.
What Ma Lach’s Bones Tell Us: Performances of Relational Materiality in Response to Genocide
The White Woman’s Indian: Laura Gilpin in the American Southwest
Why the 90s Were so Sexy: Locating Sexuality, Pleasure and Desire in Work Produced by Indigenous Women Identified Artists During the 1990s and Early 2000s in Canada
Art History Major Research Paper (M.A) -- Ontario College of Art & Design University, 2020.