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Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Augusta
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Chief Felix Musqua Honoured at Pow-Wow
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Cooking Fish Upwanask Style
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
The Eskimo Songs of Northwestern Alaska
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Evelyn Victoria Windsor Interview #4
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
First Nations Alcohol Rehabilitation Centre
Friendship Centre Indian and Metis Fashion Show
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
Hilda Smith Interview #1
Hilda Smith Interview #2
"I Would Like to Have This Tribe Represented": Native Performance and Craft at Chicago's 1933 Century of Progress Exposition
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
The Indian Role in the 1876 Centennial Celebration
Discusses the Indian exhibition held in during the exposition in Philadelphia and how, despite attempts to have actual members of cultural groups participate, organizers were left with static displays from ethnographic collections which failed to engage the public or increase understanding of Native Americans.
“The Indian Who Bombed Berlin”: German Encounters in Ralph Salisbury’s Work – Modulating Modern Precariousness
An Indigenous Archive: Documenting Comanche History through Rock Art
John Thompson Interview #2
Making A Fish Skin Rattle
Making A Tikunagun
Making Bannock In A Pan
Making Bannock On A Stick
The Mask Dance
The Moccasin Identifier Education Kit
Modern Uses of American Indian Art
NAGPRA's Politics of Recognition: Repatriation Struggles of a Terminated Tribe
The Paths to Realizing Reconciliation: Indigenous Consultation in Jasper National Park
Using interviews from the Jasper Indigenous Forum (JIF) the authors examines the struggle for Indigenous representations into how their culture is presented.
Peter Chamberlain Interview #3
Peter Chamberlain Interview #4
The Poetry of Ralph Salisbury: Syntax as Vehicle for Conveying an Ethical Vision
Questions about Questions: Law and Film Reflections on the Duty to Learn
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Roy Hanuse Interview #2
Saskatchewan Indian Religious Beliefs - Alice B. Kehoe. - Booklet. - January 1976.
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
The Vitruvian Man and Beyond: Spirit Imperative in the Life and Poetry of Ralph Salisbury
Washed Away: Native American Representation in Oklahoma Museums and High Schools, 2000-2020
Why the 90s Were so Sexy: Locating Sexuality, Pleasure and Desire in Work Produced by Indigenous Women Identified Artists During the 1990s and Early 2000s in Canada
Art History Major Research Paper (M.A) -- Ontario College of Art & Design University, 2020.