Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Canadian Journal of Native Studies, vol. 6, no. 2, 1986, pp. 351-359
Description
Book reviews of 4 books:
Moon of Wintertime: Missionaries and the Indians of Canada in Encounter Since 1534 by John Webster Grant.
Migration Tears: Poems About Transitions (Native American Series Number 7) by Michael (Lomawywesa) Kabotie.
Establishing Pathways to Excellence in Indian Education: Selected Papers from the First Mokakit Conference. July 1984 edited by H. A. McCue.
The Ojibway Dream by Arthur Schilling.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Inuit Art Quarterly, vol. 1, no. 2, Summer, 1986, pp. 1-4
Description
Compares Inuit works to paintings by Chardin and argues that they share common characteristics.
Entire issue on one pdf. To access article scroll down to appropriate page.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Inuit Art Quarterly, vol. 1, no. 1, Spring, 1986, pp. 1-3
Description
Authors compare the methods of production used by the Cape Dorset cooperative to those used in Japan.
Entire issue on one pdf. To access article scroll down to appropriate page.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 38-39
Description
Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000.
Entire issue on one pdf. To access article, scroll to page 38.
Inuit Art Quarterly, vol. 1, no. 2, Summer, 1986, p. 4
Description
Explains the context of the Cape Dorset co-operative's "assembly line" approach to printmaking. Refers to article found in vol.1, no.1, 1986.
Entire issue on one pdf. To access article scroll down to appropriate page.
Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.
Inuit Art Quarterly, vol. 1, no. 3, Fall, 1986, pp. 1-5
Description
Brief overview of the acquisition policies and collections of major Canadian companies.
Entire issue on one pdf. To access article scroll down to appropriate page.