Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
This report summarizes the comments which interested parties made to Parks Canada as to the future planning and development of Batoche National Historic Park.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Saskatchewan History, vol. 35, no. 3, Autumn, 1982, pp. 101-107
Description
Discusses the life and art of Edmond Morris. Morris lived in Manitoba as a young child, the youngest child of Alexander Morris, First Chief Justice of MB and Lieutenant-Governor of Manitoba and the North-West Territories. Morris’s work focused on portraiture of Treaty Chiefs, and “pure Cree types.”
Entire issue on one .pdf, scroll to page 101.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Navajo Sand Paintings: The Importance of Sex Roles in Craft Production
Articles » Scholarly, peer reviewed
Author/Creator
Nancy J. Parezo
American Indian Quarterly, vol. 6, no. 1/2, Spring-Summer, 1982, pp. 125-148
Description
A look at the commercialization of art form and how the Navajo's flexible division of labor allowed for both men and women to participate in its productions for economic gain.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 38-39
Description
Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000.
Entire issue on one pdf. To access article, scroll to page 38.
Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.