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Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Exploring Autism and Music Interventions through a First Nations Lens
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
"Gyitwaalkt": A Dialogue on Tsimshian War and Metal
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America
Honour Water: Gameplay as a Pathway to Anishinaabeg Water Teachings
How Native American Rappers Communicate and Create a Modern Identity
“I Got This AB Original Soul/I Got This AB Original Flow”: Frank Waln, the Postmasculindian, and Hip Hop as Survivance
In the Balance: Indigeneity, Performance, Globalization
Indigenous Womanhood, Precarity and the Nation State: An Arts-based Performance that offers a New Pathway to Reconciliation
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Metis Fiddling: A Matter of Identity
Music Senior Project (BA Hons) -- University of North Carolina, 2018.
[Michif Language Resources: An Annotated Bibliography]
Minogondaagan: The Good Voice
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
The "Noble Savage" in American Music and Literature, 1790-1855
Our War Paint Is Writers' Ink: Anishinaabe Literary Transnationalism
Performing Archive: Curtis + "the vanishing race"
Reclaiming Territories through Indigenous Performance
Reconciliation: Facilitating Ethical Space between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Think Indigenous [2017]: Saskatoon, SK, Treaty 6 Territory: Sheryl Kimbley
Urban Indians, Native Networks, and the Creation of Modern Regional Identity in the American Southwest
The Way We Never Were: Native Americans in Popular Culture: A Proposal for a Virtual Reality Based Exhibit
"We are not a conquered people": Expressions of Resistance, Resurgence, and Reclamation through Electric Pow Wow
"We're Rapping, Not Trapping": Hip Hop as a Contemporary Expression of Métis Culture and a Conduit to Literacy
Where Is the Indigenous Law in State Sponsored Transitional Justice Processes? Witnessing and Truth-Telling in the Truth and Reconciliation Commission of Canada
Political Science Thesis (M.A.)--University of British Columbia, 2017.