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Capoeira And Hip Hop In Northeast Brazil: Resistance to Inequity
Clowning Tops Hip Hop: Reflections on Teaching at a First Nations School
Cree Language Resources: An Annotated Bibliography
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Evaluation of the Kòts'iìhtła ("We Light the Fire") Project: Building Resiliency and Connections through Strengths-Based Creative Arts Programming for Indigenous Youth
Exploring Autism and Music Interventions through a First Nations Lens
Exploring the Relationship Between Cultural Identity, Health, and Social Support With An Aboriginal Women's Hand Drum Group
Finding a Place for Cacega Ayuwipi within the Structure of American Indian Music and Dance Traditions
First Nations Youth Redefine Resilience: Listening to Artistic Productions of 'Thug Life' and Hip-hop
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
From the Editor: Crossing Genre, Media, Form
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
Hearing Urban Indigeneity in Canada: Self-Determination, Community Formation, and Kinaesthetic Listening With A Tribe Called Red
Heartbeat of the People: Music and Dance of the Northern Pow-wow
Hip Hop and nueva canción as Decolonial Pedagogies of Epistemic Justice
How Native American Rappers Communicate and Create a Modern Identity
Hula as a Way of Knowing: A Personal Journey Toward Musical and Kinesthetic Understanding
I Dream, I Believe, I Am
In the Balance: Indigeneity, Performance, Globalization
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
"Inulariuyunga; Imngirnik quvigiyaqaqtunga!" - I'm a Real Inuit; I Love to Sing: Interactions between Music, Inummariit, and Belief in an Inuit Community Since Resettlement
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Listening to the Fur Trade: Sound, Music, and Dance in Northern North America 1760-1840
Maori Waiata (Music): Re-Writing and Re-Righting the Indigenous Experience
Mediating Indianness
[Michif Language Resources: An Annotated Bibliography]
Moving Towards "Pow Wow-Step": Constructions of "The Indian" Identity and a Tribe Called Red's Mobilization of Art as Resistance
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
The Nile Project: Music as Metaphor
The "Noble Savage" in American Music and Literature, 1790-1855
Power of the PowWow: American Indian Perspectives on Ethnic Identity and Social Interest
Powwow Times Three: Intertribal Powwow Music From Three Perspectives
Quechuan Voices: The Art of Storytelling Through Song
Reclaiming Territories through Indigenous Performance
Reconciliation Relations
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Savages and Romantics: How Hollywood Soundtracks Construct Native Americans
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.