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Beyond Aesthetics: Dynamics of Musical Knowledge in the Contest Powwow
Bringing Throat-Singing to Pop Culture's Attention
Cree Language Resources: An Annotated Bibliography
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Droppin' Conscious Beats and Flows: Aboriginal Hip Hop and Youth Identity
Ed Peekeekoot: Musician, Artist, Visionary
Exploring Autism and Music Interventions through a First Nations Lens
Exploring the Sacred in Aboriginal Performance Art
Festival of Nations: First Nations and Metis Music and Dance in Public Performance
For Taima, Success Has Just Begun
"Fresh Tracks in Dead Air": Mediating Contemporary Metis Identities through Music and Storytelling
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gender Relations in Inuit Drum Dances
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
How Native American Rappers Communicate and Create a Modern Identity
In the Balance: Indigeneity, Performance, Globalization
The Indian Character Piece for Solo Piano (ca. 1890-1920): A Historical Review of Composers and Their Works
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
Inuit Youth in Canada
Landscapes of Indigenous Performance: Music, Song and Dance of the Torres Strait and Arnhem Land
Laronde's Career a Celebration of Aboriginal Culture
Recounts the achievements of Sandra Laronde, founder of Native Women in the Arts and Red Sky Performance.
Entire issue on one pdf. To access article scroll to p.18.
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Marginal/Minority Popular Music: The Concept of the "Third Space" and The Case for "Hybridities" of Cultures/Identities
[Michif Language Resources: An Annotated Bibliography]
Music in Urban La Paz, Bolivian Nationalism, and the Early History of Cosmopolitan Andean Music, 1936-1970
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
The "Noble Savage" in American Music and Literature, 1790-1855
Otter Trail Singers
The Phoenix Indian School Band, 1894-1930
Primitive Echoes: The Capturing and Conjuring of Native American Music
Recently Discovered Gievrie 1 (South-Saami Shaman Drum)-Contexts, Meanings and Narratives
Reclaiming Territories through Indigenous Performance
The Responsibility of Performance: The Interweaving of Politics and Aesthetics in Intercultural Contexts
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Smudge
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Spirit Wind Women's Hand-Drum Group
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
Think Indigenous [2017]: Saskatoon, SK, Treaty 6 Territory: Sheryl Kimbley
The Way We Never Were: Native Americans in Popular Culture: A Proposal for a Virtual Reality Based Exhibit
"We're Rapping, Not Trapping": Hip Hop as a Contemporary Expression of Métis Culture and a Conduit to Literacy
Where Is the Indigenous Law in State Sponsored Transitional Justice Processes? Witnessing and Truth-Telling in the Truth and Reconciliation Commission of Canada
Political Science Thesis (M.A.)--University of British Columbia, 2017.