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Antoine Lonesinger 1 Interview
Antoine Lonesinger 10 Interview
Antoine Lonesinger 12 Interview
Antoine Lonesinger 15 Interview
Antoine Lonesinger 7 Interview
"As Long As We Continue to Joik, We'll Remember Who We Are." : Negotiating Identity and the Performance of Culture: The Saami joik
Buffy Sainte-Marie: Lyrics of the Land
Charlie Chief 1 Interviewer
Coast Salish Gambling Music
College Indian Art Program Will Begin Second Course
Cree Elders Workshop 10
Cree (Elders) Workshop 9
Cree Language Resources: An Annotated Bibliography
Cry For Luck: Sacred Song and Speech Among the Yurok, Hupa, and Karok Indians of Northwestern California
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Eli Pooyak 12 Interview (Songs)
Eli Pooyak 2 Interview
Eli Pooyak 3 Interview
Eli Pooyak 5 Interview
Eli Pooyak 6 Interview
The Eskimo Drum Dance
Exploring Autism and Music Interventions through a First Nations Lens
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gerald Vizenor: Compassionate Trickster
"Haida Ida": The Musical World of Ida Halpern
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
How Native American Rappers Communicate and Create a Modern Identity
The Hymnody of the Seneca Native Americans of Western New York
In the Balance: Indigeneity, Performance, Globalization
An Indian Music Curriculum
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
Mavis J. Adams Interview
[Michif Language Resources: An Annotated Bibliography]
Music Course Developed by Indian College
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
The "Noble Savage" in American Music and Literature, 1790-1855
Reaching for the Sun: A Guide to the Early History and the Cultural Traditions of Native People in Manitoba
Reclaiming Territories through Indigenous Performance
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Royal Commission on Aboriginal Peoples: Closing Prayer, Closing Remarks by Moderator, and Honour Song
Royal Commission on Aboriginal Peoples: Further Comments by John Stiffarm
Royal Commission on Aboriginal Peoples: Presentation by Floyd Favel, Artistic Director, Native Earth of the Performing Arts, Toronto, Ontario
Royal Commission on Aboriginal Peoples: Presentation by Marie Mumford, Sandra Laronde and Elaine Bomberry, Association of Native Development in the Performing and Visual Arts, Toronto, Ontario
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.