Eagle Feather News, vol. 11, no. 6, June 2008, p. 24
Description
Looks at a comedy radio special that is made up of short sketches and original teleplays to be aired on Aboriginal Day.
Article located by scrolling to page 24.
Continuum, vol. 24, no. 1, Interrogating Trauma: Arts & Media Responses to Collective Suffering, 2010, pp. 65-77
Description
Discusses the way an archival history series, feature film and budget drama addresses politics of reconciliation and the media's obsession with violence in remote Australia.
Teachers' guide developed in conjunction with exhibition mounted to dispel the misrepresentations of cultural beliefs created by Stephanie Myer's Twilight books.
American Indian Culture and Research Journal, vol. 32, no. 4, 2008, pp. 145-200
Description
Book reviews of 20 books:
Being and Place Among the Tlingit by Thomas F. Thornton.
The Cultivation of Resentment: Treaty Rights and the New Right by Jeffery R. Dudas.
Diabetes Among the Pima: Stories of Survival by Carolyn Smith-Morris.
Essential Song: Three Decades of Northern Cree Music by Lynn Whidden.
First Families: A Photographic History of California Indians by L. Frank and Kim Hogeland.
Households and Hegemony: Early Creek Prestige Goods, Symbolic Capital and Social Power by Cameron B.
American Indian Quarterly, vol. 43, no. 4, Fall, 2019, pp. 439-470
Description
Author examines several images contemporary to the 1904 World’s Fair, discusses the way in which Indigenous people were portrayed as "spectacle, commodity and spoil of American conquest;" articulates ways that some Indigenous Leaders both corroborated these portrayals and subverted them.
Nordlit, no. 23, Arctic Discourses, 2008, pp. 293-303
Description
Discusses changes from 1929 to 2007 regarding Sami identity in Finnmark. Looks at the movie Lajla produced in 1929 comparing it to another version produced in 1937.
Review: Literature and Arts of the Americas, vol. 41, no. 1, May 2008, pp. 31-42
Description
Examines to what extent Native writers, critics, and researchers, as well as non-Native people who work in Native Studies, are led or constrained by beliefs about what is traditional, spiritually appropriate, politically effective and beneficial to Native communities.
Studies in American Indian Literatures, vol. 31, no. 1-2, Spring-Summer, 2019, pp. 136-169
Description
Film criticism which discusses Lightning’s movie as an act of resistance to colonial backlash to reconciliation, and to settler narratives regarding Indian Residential Schools.
Commodifications of the Past? An IPinCH Knowledge Base Bibliography
Intellectual Property Issues in Cultural Heritage: Theory, Practice, Policy, Ethics
Documents & Presentations
Author/Creator
James Herbert
Description
Lists 208 publications (articles, letters, websites, webpages, government documents, and books) deemed to be of interest to the Commodifications of the Past? Working Group from the Intellectual Property Issues in Cultural Heritage (IPinCH) research project.
Features portraits of Indigenous subjects painted by George Catlin, who traveled the United States during the 1830s to capture images of the "vanishing race". Includes biographical information, excerpts from his writings, general historical information and exercises to teach students to think critically about the works and the stereotypes found in them. Compares his portraits to photographs taken by Edward S. Curtis in the early 1900s.
AlterNative, vol. 15, no. 1, March 2019, pp. 75-81
Description
Illustrates the new character tropes being developed by Aboriginal Australian writers to challenge the stereotypical representation of Indigenous peoples in detective fiction.
DIAMA (Digitizing the Inuit and Aboriginal Media Archive)
Description
DIAMA preserves archives by cleaning, reformatting, digitizing and uploading materials collected since the 1970's. The website is searchable by language/culture, topic and location.
Post Script , vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 27-[?]
Description
Discusses impact two women filmmakers have had on the National Film Board of Canada's productions and their re-imagining of western cinematic traditions.
Post Script, vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 94-[?]
Description
Discusses various documentary and narrative fiction films and shows how embedded historical and cultural information is meant to educate the viewer and undermine the notion of fixed genre.
Video of speech given by professor from the University of Victoria's Indigenous Governance Program. He argues that Aboriginals must regain their authentic cultural identity in order to truly decolonize themselves.
Duration: 01:02:12.
Canadian Journal of Library and Information Practice and Research, vol. 3, no. 1, 2008, pp. 1-9
Description
Discusses two different library web projects that make direct use of the Internet to improve descriptions of their photographic holdings, that relate to Indigenous peoples, in order to share the images with remote communities and the world.
Seachange, The Face-to-Face, Spring, 2010, pp. 51-80
Description
Looks at the history of Native Net, a nation-wide computer based multimedia communication network, and the development of CyberPowWow, an online gallery and chat room produced by the Aboriginal collective Nation to Nation.
Lists works written by Indigenous authors published between 2000 and 2018. Focuses on substantial books, articles and book chapters on original primary historical research, research methodology and historiography.
Transmotion, vol. 5, no. 1, Native American Narratives in a Global Context, July 11, 2019, pp. 184-206
Description
Article works to highlight the diversity of the work being done by Indigenous artists from different communities within the new media arts, but also to explore the partnerships, networks, and practices of solidarity developing within and between these communities.
Post Script, vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 3-[?]
Description
Introduction to special issue celebrating Indigenous film in North America with examples of key films and filmmakers, approaches to studying and writing and interviews with filmmakers in Canada, Mexico and the United States.
Explores opera which looks at the contradictory forces of social alienation and cultural assimilation that aboriginals faced during the early twentieth century.