Theatre Journal , vol. 55, no. 4, December 2003, pp. 679-698
Description
Discusses the concept of "racechange" using Susan Gubar's book RaceChanges: White Skin, Black Face in American Culture to assess the various functions of whiteface performance as a strategic mode of representation in theatre" and how theatre can contribute to debates about racialsim.
Saskatchewan History, vol. 55, no. 2, Fall, 2003, pp. 5-26
Description
Describes the filming and production of the 20th Century Fox film The Canadians, and American-style western about the Cypress Hills Massacre and the deployment of the NWMP. Notes several conflicts that occurred during production and at the premiers, as well a number of stereotypes and misrepresentations in the script itself.
Entire Issue on one .pdf, scroll to page 5.
Journal of Popular Film and Television, vol. 30, no. 4, Winter, 2003, pp. 181-[?]
Description
Western films from 1908 to 1916 depict popular attitudes toward interracial romance and government policies of the time in areas such as the military, land use, Indian assimilation and boarding schools.
Olympic Perspectives: Third International Symposium for Olympic Research
E-Books » Chapters
Author/Creator
K.B. Wamsley
Mike Heine
Description
Discusses the controversy surrounding the Lubicon's call for a boycott of The Spirit Sings exhibit mounted at the Glenbow Museum during the 1988 Olympics.
Excerpt from Olympic Perspectives: Third International Symposium for Olympic Research edited by Robert K. Barney, Scott G. Martyn, Douglas A. Brown, and Gordon H. MacDonald.
American Indian Culture and Research Journal, vol. 27, no. 2, 2003, pp. 17-39
Description
Examines the portrayals of Native Americans in films, arguing that although recent films attempt to counteract previous stereotypes, more accurately portray history and culture, and tend to be more sympathetic to political claims they still fall short and appear assimilationist in tone.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 111-128
Description
Looks at the Western image of the Native American as determined by photographs.
Examines the domains of science and policy in the context of Aboriginal issues and how film representations of Aboriginal people are linked to media portrayals.
Inuit Art Quarterly, vol. 11, no. 1, 10th Anniversary Issue, Spring, 1996, pp. 26-34
Description
Looks at a small community that was introduced to video in 1979 and highlights several videomakers.
Entire issue on one pdf. To access article, scroll to page 26.
The Journal of American History, vol. 90, no. 2, September 2003, pp. 748-749
Description
Review of website: Images of Native Americans created and maintained by the Bancroft Library at the University of California, Berkeley.
All website reviews on one document. To access review, scroll to page 748.
Cultural Anthropology, vol. 11, no. 4, November 1996, pp. 547-576
Description
Investigates the deconstruction of Native American identity, bloodlines, racism, and stereotypes by examining the works of Native American visual artists and authors.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 51-64
Description
Examines some photographers' motivations for doing photographs and the reactions of those being photographed, and argues that Natives Americans wish to preserve and interpret their own histories with photographs that illustrate all facets of their lives.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 83-91
Description
Looks at Navajo photography from a Navajo’s point of view, both as subject and as photographer.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 65-81
Description
Paper argues that the Navajo never had much, if any, input into their image presentation within photography and discusses the implications of this lack of input.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 93-110
Description
Discusses the duel challenge of photographing Zuni religious ceremonies and how old photos now pose a new set of challenges to museums and archives, namely accessibility, privacy, and artist/owner rights.
Western Folklore, vol. 62, no. 3, Summer, 2003, pp. 228-230
Description
Book review of: Karl Bodmer's Art: The Newberry Library Bodmer Collection by W. Raymond Wood, Joseph C. Porter, and David C. Hunt, Reimagining Indians: Native Americans Through Anglo Eyes, 1880-1940 by Sherry L. Smith, Selling the Indian: Commercializing and Appropriating American Indian Cultures edited by Carter Jones Meyer and Diana Royer.
Canadian Art, vol. 20, no. 2, Summer, 2003, p. [?]
Description
Listing of the sites and installation dates as well as brief information on the artists participating in this exhibition held in Barrie, Ontario and sponsored by the MacLaren Art Centre.
"Selected images of Native clothing, musical instruments, and games and toys from the collections of the Canadian Museum of Civilization" arranged by First Nation and community groups as well as by category of image.
Comments on several current topics including Aboriginal veterans at the ceremonial march on Remembrance Day, artist Allen Sapp winning the Governor General's Award for illustrations in the children's book The Song Within Our Heart, the Frank Calder Treaty case and elections at Big River First Nation.
Comments on some of the cutting edge dramas and documentaries being made by Aboriginal filmmakers recently showcased at the Native American Film Festival in Palm Springs.
The Truth about Stories: A Native Narrative. Pt. 2
[2003 CBC Massey Lectures]
[Ideas with Paul Kennedy]
Media » Sound Recordings
Author/Creator
Thomas King
Description
In speech, the noted author discusses stereotypes such as the noble savage and vanishing Indian as portrayed in the photographs of Thomas Curtis, and contemporary concepts of what constitutes an "authentic" identity. To listen to this audio, scroll down to Part 2.
Duration: 54:22.