American Indian Culture and Research Journal, vol. 19, no. 1, 1995, pp. 97-118
Description
Looks at films as social barometers of attitudes and ideologies; films discussed: Dances With Wolves, Black Robe, Thunderheart, Clearcut, Loyalties, Company of Strangers, Where the Spirit Lives, Spirit Rider, and Powwow Highway.
Olympic Perspectives: Third International Symposium for Olympic Research
E-Books » Chapters
Author/Creator
K.B. Wamsley
Mike Heine
Description
Discusses the controversy surrounding the Lubicon's call for a boycott of The Spirit Sings exhibit mounted at the Glenbow Museum during the 1988 Olympics.
Excerpt from Olympic Perspectives: Third International Symposium for Olympic Research edited by Robert K. Barney, Scott G. Martyn, Douglas A. Brown, and Gordon H. MacDonald.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 111-128
Description
Looks at the Western image of the Native American as determined by photographs.
Examines the domains of science and policy in the context of Aboriginal issues and how film representations of Aboriginal people are linked to media portrayals.
Inuit Art Quarterly, vol. 11, no. 1, 10th Anniversary Issue, Spring, 1996, pp. 26-34
Description
Looks at a small community that was introduced to video in 1979 and highlights several videomakers.
Entire issue on one pdf. To access article, scroll to page 26.
Cultural Anthropology, vol. 11, no. 4, November 1996, pp. 547-576
Description
Investigates the deconstruction of Native American identity, bloodlines, racism, and stereotypes by examining the works of Native American visual artists and authors.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 51-64
Description
Examines some photographers' motivations for doing photographs and the reactions of those being photographed, and argues that Natives Americans wish to preserve and interpret their own histories with photographs that illustrate all facets of their lives.
American Indian Culture and Research Journal, vol. 19, no. 1, 1995, pp. 153-189
Description
Paper focuses on responses to Westerns, explains why controlling their public image is important to Native Americans and discusses use of how they are using film and video documentaries to re-present themselves.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 83-91
Description
Looks at Navajo photography from a Navajo’s point of view, both as subject and as photographer.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 65-81
Description
Paper argues that the Navajo never had much, if any, input into their image presentation within photography and discusses the implications of this lack of input.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 93-110
Description
Discusses the duel challenge of photographing Zuni religious ceremonies and how old photos now pose a new set of challenges to museums and archives, namely accessibility, privacy, and artist/owner rights.
"Selected images of Native clothing, musical instruments, and games and toys from the collections of the Canadian Museum of Civilization" arranged by First Nation and community groups as well as by category of image.